Author: Clara Bush

Clara Bush is a grammar nerd, social media specialist, and couch potato. She'll curl up with Netflix and a homemade dessert any day.

‘Full House’ shouldn’t be revived, even if it ‘Boy Meets World’ has been

This blog was originally published on elkharttruth.com on Sept. 11, 2014.

Just because a show was good in the ’90s doesn’t mean it will be good now.

Case in point: “Girl Meets World.”

Sorry, Disney, but the show doesn’t work.

So, John Stamos, as much as I love Uncle Jesse, please don’t revive “Full House.”

“Girl Meets World,” a spin-off of “Boy Meets World,” should’ve been destined for success. It had the nostalgia factor. It was going to have Cory and Topanga. And old cast members of “Boy Meets World” kept coming out of the woodwork to guest star. Even Minkus (Lee Norris) and Harvey “Harley” Keiner (Danny McNulty) came on the show.

Not to say “Girl Meets World” is not successful — it has been renewed for season 2, and it’s the No. 1 TV show for kids 2 to 14, according to Entertainment Weekly. But it’s failing to conjure the magic of its predecessor.

When I finally sat down to watch some episodes of “Girl Meets World” a few weeks ago, I was disappointed.

I’m a huge fan of “Boy Meets World.” I’ve seen every episode multiple times. I hate when Cory and Topanga aren’t together. I love how the parents take care of Cory and his friends.

But “Girl Meets World” does not have the same dynamic.

Yes, it’s a family show. Yes, Riley (Cory and Topanga’s daughter) and her friend, Maya, have similar characteristics to Cory and Shawn. But the show comes off as a cheesy rehashing of the original, with copied to-the-tee plot lines and forced moral lessons, which came off so naturally on “Boy Meets World.”

Part of the problem with “Girl Meets World” is simply the passage of time. Cory and Topanga were wonderful to watch as kids and students, but they aren’t as relatable as adults. Not everyone who watched “Boy Meets World” is at the stage in life where kids are on the horizon, much less in middle school — which is where Riley is.

This is probably why “Friends” will never return. As much as fans clamor for a reunion, co-creator Marta Kauffman has made it clear the show is about being in your 20s — when your friends are your family — so a movie reunion will never happen. Chandler and Monica had a family at the end of the show’s 10-year — why would we want to watch that?

If the key to the “Girl Meets World” was Cory and Topanga, it failed. They aren’t young anymore. They have responsibility, and it was more fun to watch them struggle through life than to see them have it all together.

That’s why “Full House” shouldn’t be revived. Word on the street is Stamos wants to bring the show back and many cast members are on board.

If you are going to bring a TV show back, it needs to have value and purpose. Besides nostalgia, a “Full House” revival doesn’t have value or purpose, and it’s not a fresh idea, either.

“Boy Meets World” and “Full House” still do well in reruns on various networks. It’s partly for nostalgia, but it’s also partly for the fact that the shows are timeless, minus the fashions. (I hope feathered bangs never come back.)

But let’s stick to reruns only, please. Or funny Jimmy Kimmel Live staged reunions. Enjoy.

Spring TV 2016: Try ‘Crowded,’ ‘Heartbeat,’ skip ‘The Real O’Neals’

This blog was originally published on elkharttruth.com on March 29, 2016.

TV networks premier shows year-round now — or so it seems.

While many shows premiered in January, another crop has premiered.

ABC’s Biblical drama “Of Kings and Prophets” has already been cancelled (it was hard to follow, but definitely had the drama), but here are my thoughts after watching the pilot of these other shows:

‘THE FAMILY’

9 p.m. Sundays on ABC

What’s true? Do you trust anyone?

These questions have been asked before on TV, but at this drama’s core is a family who reunite with their once-missing son…or whomever he is.

This show reminds me a bit of 2014’s “Gracepoint,” especially with its use of flashbacks.

Cliché elements pop in, but the show has the potential to reel viewers in with its mix of crime, family values and truth.

But I also can’t imagine the show lasting more than one season since the mystery will have to be solved by the end of this season.

Grade: B

‘THE REAL O’NEALS’

8:30 p.m. Tuesdays on ABC

Remember how shows are supposed to be better now about stereotypes? Well, this show isn’t one of them.

The comedy centers around an Irish Catholic family, whose “perfect image” falls apart in the pilot for myriad reasons (sons are gay and anorexic; divorce; daughter is a thief). The show tries to poke some fun at the stereotype, but it comes off mean.

Also, one of the sons narrates the show, which makes the show overwrought with voices.

Grade: C+

‘PARTY OVER HERE’

11 p.m. Saturdays on Fox

If you want to watch a sketch show that’s not “SNL,” then “Party Over Here” is for you.

Too bad The Lonely Island-produced show doesn’t have much party to it.

While I applaud Fox for bringing an all-female comedy troupe to TV — and the sketches poking fun at women’s roles were poignant, it wasn’t enjoyable to watch.

It felt a little slow, and it’s only half-hour. And when you sing the end credits to end your show (for about two minutes), do you have enough material to keep going?

Grade: C

‘CROWDED’

9:30 p.m. Sundays on NBC 

Cross-generational takes on a new meaning with this sitcom.

On this NBC show, the eldest generation is nosy and decides against moving to Florida, the youngest generation moves back in after jobs/relationships fall apart, and the parents are stuck.

This show has some laughs, more than some other comedies as of late, and it seems more relevant and real. It’s not kitschy, and moving back home happens so much more now that I’m glad it’s seeing some TV light.

Plus, it’s humorous to see parents deal with adult children … when all of them have some growing up to do.

Grade: A-

‘HEARTBEAT’

8 p.m. Wednesdays on NBC 

Another medical show hits the small screen. And one of the cast members was on another medical show in the 2014 season (Dave Annable, formerly of “The Red Band Society”).

I love seeing women at the forefront, and the NBC drama makes a point to mention how rare it is to see a woman that high up in the medical field. But other than that, this show is pretty run-of-the-mill.

It could have mass appeal with its mix of drama, romance, family and the law, but it all seems a bit too already-done-before.

Grade: B

‘THE CATCH’

10 p.m. Thursdays on ABC

Another show hits the TGIT lineup on ABC.

But for a show that’s called “The Catch” and is advertised as a drama with a cat-and-mouse game, I didn’t see a lot of that in the pilot.

The first hour of the show was boiled down into the previews, so it took a bit to get going. The preview for what’s to come made the show, starring Mireille Enos and Peter Krause, seem more thrilling than its premier episode.

Like “The Family,” I’m not sure it’ll last more than one season due to its plot, but it could be entertaining to watch the game play out.

Grade: B

Have you watched any of these shows? What do you think?

Fall TV 2016: Watch ‘This is Us,’ ‘Notorious,’ skip ‘Kevin Can Wait’

Fall TV is back in full force.

In case you’ve missed some of the new shows of 2016, here are some short reviews of shows that have premiered:

8:30 p.m. Mondays on CBS

Kevin James returns to TV, but “The King of Queens” star’s new comedy isn’t worth your time.

James is a writer and a producer on the show, but the plot is run-of-the-mill.

James plays a police officer preparing for retirement, but his plans change when his daughter comes home with a nerdy fiance and the announcement that she’s going back to diner work to support her fiance’s app development.

It’s nothing we have seen before on other family comedies, and it’s not funny.

Grade: C+

‘THE GOOD PLACE’

8:30 p.m. Thursdays on NBC

Ted Danson (“Cheers,” “CSI”) and Kristen Bell (“Frozen,” “House of Lies”) unite for this original comedy.

Eleanor (Bell) lands in “the good place,” and her neighborhood is the first Michael (Danson) has designed. The good place is supposed to be full of harmony, eternal happiness and frozen yogurt…until Eleanor shows up.

Turns out she shouldn’t be there; there’s been a mixup. She’s not good at all, and her soulmate (yes, everyone has one at the good place) is the only one who knows.

While Bell is a fantastic physical comedian, the bit about how she can’t swear got old pretty fast. But with all the punishments the neighborhood might endure and some other quirky characters, it’s worth watching.

Grade: B

‘BULL’

9 p.m. Tuesdays on CBS

The facts are not enough in court cases. With social media, technology and a little psychology, many factors contribute to proving the truth.

That’s the idea behind this drama, based on the early career of Dr. Phill McGraw.

Bull, played by Michael Weatherly (“NCIS”), is a psychologist who is hired as a “jury consultant.” He helps win cases by setting up a mirror jury to see what others are thinking, as well as using social media and more to find other sides of the story.

The pilot wasn’t clear if the featured will continue throughout the series or if a new one comes each week.

It’s more than just another courtroom drama, but not much more.

Grade: B-

‘THIS IS US’

10 p.m. Tuesdays on NBC

According to Wikipedia, you share a birthday with 18 million people, even though it’s unlikely you’ll have a connection with them.

The pilot of this show follows four people who are all turning 36.

The show follows a struggling actor, a women desperately trying to lose weight, a corporate man who finds his birth father, and a man (Milo Ventimiglia, “Gilmore Girls“) whose wife is about to have triplets.

It seems like a lot at first. While I’m still not sure all the storylines will stay strong enough, by then end of the pilot it makes sense. (I won’t spoil it for those who haven’t watched it.)

But I’ll keep watching. It’s the first new show during which I laughed and cried.

Grade: A-

‘LETHAL WEAPON’

8 p.m. Wednesdays on Fox

Hey, look, another movie to TV show…

Murtaugh and Riggs are both coming back from something difficult, and they both were at the top of their game in the police force.

Riggs is a bit of an outlaw, and he’s OK with dying after his wife and unborn child die in a car accident. Murtaugh (Damon Wayans) is returning after surgery and wants to be there for his wife and kids. It’s a buddy comedy that resembles the movie in some ways.

The crime drama makes light of suicide in my opinion, but fans of the movie will most likely enjoy the show.

Grade: B

‘SPEECHLESS’

8:30 p.m. Wednesdays on ABC

Now here’s a family comedy with heart.

Minnie Driver plays a semi-aggressive mom who always has a purpose: her family, specifically her son.

Her oldest son has cerebral palsy, though I only know that because the show’s description mentioned it. The pilot never explicitly states what he has, which I appreciate. To help give him a “voice,” she’s moved her family six times in two years.

The comedy talks about discrimination, human dignity and taking care of every family member in a progressive way that’ll still make you laugh.

Grade: A

‘DESIGNATED SURVIVOR’

10 p.m. Wednesdays on ABC

In case of any attack, one cabinet member is not present during the State of the Union. He’s deemed the “designated survivor.”

And in this ABC drama, that designated survivor (Kiefer Sutherland) becomes the president.

According to the Washington Post, the designated survivor is a real thing, which makes the show all the more interesting – and scary – to watch.

Viewers see Tom Kirkman, an academic who was about to be shuffled out of his Secretary of Housing and Development position (one White House staffer calls him a”glorified real estate agent”) into an ambassador role, assume one of the highest stakes jobs in the world.

Fortunately the previews gave away only the first 15 minutes, so there was still plenty of plot to watch unfold in the pilot.

A few other storylines peeked out in the pilot, but Sutherland is the key to the show.

Grade: B+

‘NOTORIOUS’

9 p.m. Thursdays on ABC

This is one of those who-do-you-trust shows. But in a setting of cable news, it works so well.

Julia (Piper Perabo) is a producer of the No. 1 cable news show, Louise Herrick Live, who’s not afraid to stand up for herself. Jake (Daniel Sunjata) is a high-powered attorney who sometimes lets emotions seep into his work. They use each other to manipulate the public and make people look sympathetic. And they never lie to each other…for now.

I’m guessing it’s inevitable that the pair will get involved with each other, but viewers will enjoy the wait. And it’s not like there aren’t other flirtations and relationships to see.

This drama is so fast-paced, it’s like watching the behind-the-scenes work of a news show. And you won’t want to stop watching.

Grade: A-

‘PITCH’

9 p.m. Thursdays on Fox

For a show that’s not about crime, there are some high stakes.

The drama follows Ginny Baker, the first woman in the majors. As the pressure mounts, she has to decide why she’s doing this.

While you may not know Kylie Bunbury, the actress who plays Ginny, yet, many of the supporting actors are recognizable. Ali Larter, Mark Consuelos, Mark-Paul Gosselaar and more all make appearances.

In a time when gender roles are a hot topic, this show seems prepared to tackle the issue head-on.

Grade: B

‘MACGYVER’

8 p.m. Fridays on CBS

Another reboot is on this fall, but this one is of the late 1980s TV series of the same name.

Lucas Till stars in the title role. He also narrates the show, which, along with the writing over the shots, gets heavy-headed.

It’s pretty cliche, and although the problems reflect current issues such as biological weapons, it doesn’t feel fresh at all.

Grade: C

‘THE EXORCIST’

9 p.m. Fridays on Fox

Are demons real? Are they imagined? How do you get rid of them? Those questions are the heart of this drama, based on the novel of the same name.

If you want a scare every week, watch this show.

The plot is slightly predictable, but it’s still a creepy story about demons in a house, in dreams and in the world.

Grade: C+

‘SON OF ZORN’

8:30 p.m. Sundays on Fox

This Fox comedy presents an interesting concept for television: real-life actors along with animation.

Zorn, a mighty leader in an animated world akin to a video game/90s TV show, goes to another world to visit his ex-wife (Cheryl Hines) and his son.

After doing his usual I’ll-stay-for-barely-a-week bit, he decides to stay to get to know his son. For an animated show, it seems to have some heart.

That’s not to say it’s not also a bit silly…I mean, Zorn never goes anywhere without his sword…but the first episode shows promise.

Grade: B

What new shows are you watching?

Winter TV 2016: Try NBC’s ‘Superstore,’ skip Fox’s ‘Bordertown’

This blog was originally published on elkharttruth.com on Jan. 27, 2016.

It’s winter, also known as hibernation time, especially in the Midwest.

But this winter, it might be better to catch up on old series than watching the latest crop of TV shows.

Here is my roundup on some of TV’s winter 2016 shows:

 

‘COOPER BARRETT’S GUIDE TO SURVIVING LIFE’

8:30 p.m. Sundays on Fox

Cooper Barrett is 26. And doesn’t have a clue what he’s doing. But that’s normal, right?

As someone in their 20s, I’d say yes. But that doesn’t mean I found this comedy relatable.

I use comedy loosely, as I laughed out loud only once. At a pig.

The pilot seems far-fetched and boring, but maybe there’s hope for this comedy. Maybe.

Grade: B

‘TELENOVELA’

8:30 p.m. Mondays on NBC

I think my expectations are too high for this show.

It’s a mostly Latino cast, which broadcast networks haven’t seen in awhile. And it’s Eva Longoria’s return to acting on TV (she’s a producer on Lifetime’s “Devious Maids”).

But the premise, a group of people surviving life while working on a telenovela, seems cliche.

It’s funny and over-the-top, but it’s not the best comedy I’ve watched.

Grade: B+

 

‘SUPERSTORE’

Mondays at 8 p.m. on NBC

This comedy focuses on employees of a superstore. You know, the one-stop shop.

The actors, led by America Ferrera (“Ugly Betty”) and Ben Feldman (“A to Z”) carry the show. For now.

But the writing isn’t strong. Episode 2 has a storyline that some might find offensive. It’s quirky but not in an exciting way.

I think this show has promise, but the plots may not keep viewers interested.

Grade: B

 

‘BORDERTOWN’

9:30 p.m. Sundays on Fox

How can a hot topic become a farce? Put it in the hands of Seth MacFarlane.

The “Family Guy” creator is an executive producer on this Fox comedy, and its humor is in the same vein as his other shows.

Which is too bad. The show focuses on issues such as immigration and racism, but for many people, the stupidity of the jokes won’t allow this show to give an enlightening look to these issues.

Grade: C

 

‘ANGEL FROM HELL’

9:30 p.m. on Thursdays on CBS 

Jane Lynch (“Glee,” “Hollywood Game Night”) is back acting on TV. And she makes the show worth a tune-in.

Lynch plays Allison’s (Maggie Lawson) guardian angel. As silly as it may sound, it doesn’t come off cheesy.

I’m not sure there’s enough plot to carry this show past season 1, but the actors make the comedy endearing.

Grade: B+

 

‘SHADES OF BLUE’

10 p.m. Thursdays on NBC

Who can you trust? It seems like no one on this drama.

The show stars Jennifer Lopez and Ray Liotta as cops, but it’s a step above regular police/crime procedurals.

It’s a bit more complicated as characters attempt to do what’s right for them, the city, their families …

It could be hard to follow over time, but Lopez is compelling enough to keep watching.

Grade: A- 

 

‘SECOND CHANCE’

9 p.m. Wednesdays on Fox

What if you had a second chance? Jeff Pritchard gets one, but it comes with strings.

The disgraced sheriff is brought back to life by scientists to help save a life, and to test something.

The plot of this Fox drama plays out in a heavy-handed matter, over stressing the ideas of life vs. death and what you would do for your family.

Grade: C+ 

 

‘DC’s LEGENDS OF TOMORROW’

8 p.m. Thursdays on The CW

Another superhero show! Yeah?!?

Building off of “Arrow” and “The Flash,” this sci-fi/comic book show follows such a similar plot structure to “The Flash” that it’s boring.

Yes, there’s plenty of action, and I didn’t feel lost watching it without having seen all of the previously mentioned shows, but it seems rather predictable. And frankly, it’s a pain to keep up with that many TV shows to get the full effect.

Grade: B-

3 reasons why Fox’s ‘Empire’ works

This blog was originally published on elkharttruth.com on March 18, 2015. Season 3 of “Empire” premieres at  9 tonight.

If you haven’t heard about Fox’s new show “Empire,” you probably haven’t been paying any attention to pop culture, because it’s by far the most talked-about show of the winter TV season.

I’ll admit I haven’t seen every episode, but here are three reasons why the show is successful.

STAR POWER

I’ve never thought star power was required for TV shows. And in some cases, due to the power of celebrity, it’s hindered a show’s success.

But with “Empire,” it’s the opposite; it fuels the drama’s success.

Let’s start with the leads: Taraji P. Henson, who plays Cookie, the ex-wife of Lucious, played by Terrence Howard.

Talk about credibility: The two starred in “Hustle & Flow,” the 2005 movie that garnered an Oscar nomination for Howard. Henson was nominated for an Oscar for “The Curious Case of Benjamin Button.”

It’s not just that these actors are high-profile, they also have chemistry.

But it doesn’t stop there: Many other well-known actors have appeared on the show. Raven-Symone. Courtney Love. Gabourey Sidibe. Naomi Campbell. And the list goes on.

It might seem like that many celebrities would overpower the show, but the guest stars are in only snippets, so it’s not overdone.

Who knows who will show up next? “Empire” was greenlit for season 2 early in its run, and with Lee Daniels and Danny Strong at the show’s helm (both were involved in “The Butler”), anything can happen.

THE MUSIC

Fox has done musical shows before (ahem … “Glee”), but “Empire” is different.

Because it’s a drama, not a musical, the music fills in naturally.

Of course it’s easy to incorporate music since the show is about a family’s record label, but it truly never feels forced.

Keeping with the show’s star power, Timbaland is the executive music producer, so the music will continue to be powerful.

IT’S NOT A FAMILY COMEDY … IT’S A FAMILY DRAMA

If a family is the center of a TV show, it’s usually a comedy (“Modern Family,” “Full House,” “The Middle,” etc.).

And while “Empire” is a lot of things, it’s not a comedy.

There’s violence. There’s conflict. There’s crime. There’s music. There’s romance.

It’s a lot to take in, but since family is at the core of this drama, the show has broader appeal.

The two-hour season finale of “Empire” airs at 8 p.m. Wednesday, March 18, on Fox.

Emmys 2015: 3 takeaways from this year’s TV awards show

In preparation for Sunday’s 2016 Emmys, here is a blog about the 2015 Emmys, originally published on elkharttruth.com on Sept. 21, 2015.

If only I could hide in a cave and watch all these good TV shows.

The Emmys were last night, so in case you didn’t watch, here’s my take on the awards show.

WERE THERE ONLY THREE SHOWS ON TV THIS YEAR?

This year, the show was in three parts: one hour for comedy, one hour for reality/variety/etc. and one hour for drama.

I thought it was odd to be so focused on one category instead of mixing it up. It also made it seem like only three shows won Emmys: “Veep,” “Olive Kitteridge” and “Game of Thrones.”

In reality, this wasn’t the case. But let’s put it this way:

It’s not that these shows are bad. It’s just many other shows deserve praise, too. I haven’t watched everything, but I think the voters could’ve shared the love.

PEOPLE SEEMED GENUINELY HAPPY TO WIN

If you haven’t heard, history was made during this year’s Emmys.

But some, including Davis, made passionate speeches, and it was endearing to watch.

Uzo Aduba, who won for “Orange is the New Black,” cried during her speech, and she was thankful, especially for her sister.

HOST ANDY SAMBERG HAD FUNNY MOMENTS, BUT HOW ABOUT A DUO FOR 2016?

Samberg wasn’t the funniest host, in my opinion. The show overall had lower ratings. He could’ve brought Justin Timberlake, but Samberg said very early on in his monologue that the singer wouldn’t appear.

But hey, I’ll take an HBO Go password, which reportedly worked for a bit.

My favorite joke was when he said, “The red carpet: significantly less glamorous after you leave it.”

Some duos that presented during this year’s awards show would be excellent candidates for the 2016 host spot.

Amy Poehler and Tina Fey proved comedic gold at the Golden Globes, so it’s time for the Emmys to try it (hint hint, Poehler and Amy Schumer!)

What did you think of the 2015 Emmys? 

2015 Emmys: Surprises, more from Emmy nominations

In preparation for Sunday’s 2016 Emmys, here is a blog about the 2015 Emmys, originally published on elkharttruth.com on July 16, 2015.

Is it September yet?

Cat Deeley (“So You Think You Can Dance”) and Uzo Aduba (“Orange is the New Black”) announced the 2015 Emmy nominations Thursday, July 16, and as usual, it’ll be an interesting race.

While numerous expected nominations filled out the list, there were some surprises, as there are every year.

SURPRISES

It’s not a miniseries anymore, it’s a limited series. Not sure why the name change happened, but my best guess is it has to do with the plethora of shows that run for only a few episodes.

Jeff Daniels received a nomination for “The Newsroom.” It’s not that the HBO show isn’t good, but it was short-lived, and other actors such as Terrence Howard of “Empire” or James Spader of NBC’s “The Blacklist” could’ve been in Daniels’ spot.

Tatiana Maslany finally got an Emmy nomination. “Orphan Black” has been on the air for three seasons, and considering she plays multiple characters, it’s about time she got nominated.

SNUBS

“Empire” was practically shut out. Taraji P. Henson was nominated, but considering the show’s popularity and crazy amount of guest stars, it’s strange not see the drama more represented.

Also surprised “black-ish” didn’t receive more nominations. I didn’t enjoy the ABC show but many others did. I thought Tracee Ellis Ross would’ve gotten an actress nomination.

“Jane the Virgin” is out. An Emmy nod would have been huge for the CW, and many adore Gina Rodriguez. She did win the Golden Globe but failed to receive an Emmy nomination.

EARLY PREDICTIONS

“Mad Men” will finally win an acting Emmy. It’s the show’s swan song, and it’s not like the AMC drama isn’t deserving.

“Modern Family” will finally fall. The ABC show has won a record-tying five consecutive Emmys, but it’s far time for another show to win.

David Letterman will be recognized in some capacity. His show is nominated, and again, it’s a swan song, which seems to go over well with voters, but maybe he’ll even get a tribute during the show.

Andy Samberg (“Brooklyn Nine-Nine”) will host the 67th Emmy Awards at 8 p.m. Sunday, Sept. 20, on Fox.

Event series now part of TV culture

This blog was originally published on elkharttruth.com on April 15, 2015.

Blink and you’ll miss them.

“Gracepoint.” “The Slap.” And, to an extent, “Marvel’s Agent Carter” (the ABC show might return for a second season, though it’s up in the air).

What is with all these “event series”? Which, by the way, is basically a fancy term for “miniseries.”

TV networks are airing seven- to 10-episode series, with events concluding by the last episode.

Why now? I can think of two reasons: “American Horror Story” and “True Detective.”

These shows have captivated audiences, and even though they air for multiple seasons, they are a different show each time, with new cast members and premises.

Ryan Murphy and Brad Falchuk (of “Glee” fame) have churned out four seasons of “American Horror Story,” each in a different location but always with lots of thrills. Season 5, surrounding a hotel, has nabbed Lady Gaga as a star.

“True Detective” brought Oscar winner Matthew McConaughey to the small screen, alongside Woody Harrelson. Audiences were drawn to the mystery, and both actors received Emmy and Golden Globe nominations for their work. Season 2 will star Vince Vaughn and Rachel McAdams.

With these shows drawing in viewers and big-name stars, it’s no wonder other networks are following suit.

Most movie actors have little desire to commit to a TV show since it could last many years. But an event series is a short-term commitment, leaving actors free to pursue other projects.

Uma Thurman was on NBC’s “The Slap.” Anna Gunn was on “Gracepoint.” But now they can dive in to other roles.

A 10-episode show is a short-term commitment for a viewer, too. I watched all eight episodes of “The Slap” over the course of a few days.

With Netflix and Hulu feeding the binge-watching phenomenon, networks have to adapt, hence the event series.

Not every show will work as an event series, but the concept is here to stay.

Emmys 2014: Will choices be predictable or unpredictable?

In preparation for Sunday’s 2016 Emmys, here is a blog about the 2014 Emmys, originally published on elkharttruth.com on Aug. 23, 2014.

Another year, another Emmys show.

The Emmys recognize talent in the TV world.

The nominations came out in July, and some winners have already been announced. Congratulations, by the way, to Jane Lynch, who won for hosting “Hollywood Game Night,” one of my favorite shows.

Now some award shows are predictable. “Modern Family” has won the Emmy for best comedy series every year it’s been on the air.

But there’s also a chance for a wild card.

The winners could be predictable or unpredictable choices. Here are my ideas:

Lead actor, comedy

Predictable choice: Jim Parsons (“The Big Bang Theory”)

I’m not going to lie; I just really want Parsons to win. I’m a big fan of Sheldon.

Unpredictable choice: Louis C.K. (“Louie”)

It’s an off-the-wall show on an often-not-talked-about TV network (FX), but C.K. might be recognized for only his writing instead of his acting.

Lead actor, drama

Predictable choice: Bryan Cranston (“Breaking Bad”)

It was the last season, he has a lot of other nominations for the character (including a Golden Globe win this year), so he’ll probably go out with a bang.

Unpredictable choice: Jon Hamm (“Mad Men”)

Although Hamm has been nominated numerous times for playing Don Draper, he’s never won an Emmy for the role. With the show coming to the close, this could be the year he gets recognized. But don’t count on it.

Lead actress, comedy

Predictable choice: Julia Louis-Dreyfus (“Veep”)

She’s won the last two years, and third time’s the charm, right?

Unpredictable choice: Amy Poehler (“Parks and Recreation”)

She finally won the Golden Globe this year, so it might be for the talented comedienne time to win an Emmy … but, again, don’t count on it.

Lead actress, drama

Predictable choice: Claire Danes (“Homeland”) or Kerry Washington (“Scandal”)

I can’t choose here; both play powerhouse characters. Danes won last year, but some are rooting for Washington.

Unpredictable choice: Lizzy Caplan (“Masters of Sex”)

She’s a first-time nominee, so she might have beginner’s luck. Plus, her co-star Michael Sheen isn’t nominated, so she might get some love for being the show’s only lead nomination. (Allison Janney won outstanding guest actress for her work on the Showtime drama.)

Outstanding comedy series

Predictable choice: “Modern Family”

It’s won every year it’s been nominated. Will it take the cake again? Considering it tackled the wedding of Mitchell and Cameron and trips to Australia and Las Vegas, it probably will.

Unpredictable choice: “Silicon Valley”

I don’t even think many people have heard of this HBO show, and to be honest, I haven’t watched even a snippet of it. But it did beat out shows such as “New Girl,” “The Mindy Project,” “Girls” and “Brooklyn Nine-Nine,” so it has a distant shot of winning.

Outstanding drama series

Predictable choice: “Breaking Bad”

It’s won before, and because the show ended its run last fall, it’ll most likely be recognized.

Unpredictable choice: “Game of Thrones”

The number of fans for this HBO show continues to become more excited and eager, and the show has the most Emmy nominations this year.

But the drama, based on the books by George R.R. Martin, has a niche appeal, which dwindles its chance of winning.

The 66th Emmy Awards will air at 8 p.m. Monday, Aug. 25, on NBC.

Emmy nominations 2014: ‘Modern Family’ up for fifth win, ‘Orphan Black’ snubbed

In preparation for Sunday’s 2016 Emmys, here is a blog about the 2014 Emmys, originally published on elkharttruth.com on July 10, 2014.

It’s summer TV time, but it’s also Emmys time.

The Emmy nominations for 2014 were announced Thursday, July 10, and as usual, there were obvious choices and total snubs.

Here’s my breakdown of this year’s nominations:

Surprise nominations

While “Mad Men,” “The Big Bang Theory,” “Breaking Bad” and this year’s season of “American Horror Story” are obvious returning nominations, there were a few unexpected twists.

“Bonnie and Clyde” was nominated for best miniseries. Considering many critics didn’t love the A&E, History and Lifetime show, which was plagued with historical inaccuracies, it was a shock to see it receive a nomination. It won’t win, though. The race will be between “American Horror Story: Coven,” and Billy Bob Thornton’s “Fargo.”

Melissa McCarthy is nominated for her work on “Mike & Molly.” Out of all the comedic actresses, I think there were other choices from shows more people are watching.

Biggest snubs

Andy Samberg, who (surprisingly) won the Golden Globe for his role on “Brooklyn Nine-Nine,” was left out of the Emmy race. The Fox comedy wasn’t nominated either.

“The Good Wife” received many deserved acting nominations, including Julianna Margulies 10th overall Emmy nomination — she had won once for “ER” in 1995 and once for “The Good Wife” in 2011, but the CBS show was left off the best drama category. Considering its rise to Sunday TV gold this season, I figured it would be a shoo-in for a nomination.

But perhaps the biggest snub of all was the omission of “Orphan Black.” It’s a show that may not appeal to everyone, but Tatiana Maslany plays multiple clones. Multiple! How does that not deserve a lead actress nomination?

“Modern Family” again?

The ABC comedy is up for outstanding comedy series for the fifth year in a row.

It’s been nominated every year it’s been eligible, and it’s won every year so far.

Will the show take the win again? It could happen. “Modern Family” showcased touching moments that still turn out a laugh, including Cam and Mitchell’s (played by Eric Stonestreet and Jesse Tyler Ferguson) wedding in the season 5 finale.

But I think a new show could take over, and with “Orange is the New Black” and “Silicon Valley” being first-time nominees, I expect the reign of “Modern Family” to end.

The conundrum of “Orange is the New Black” nominations

In its first year of eligibility, “Orange is the New Black,” the hit Netflix prison dramedy, snagged a decent amount of nominations. That’s no surprise, considering how popular and acclaimed the show is.

But what is surprising is what categories in which the actresses were nominated. Taylor Schilling (Piper) is in the lead actress category, with Kate Mulgrew (Red) is the supporting actress category.

Three actresses, however, are nominated in the guest actress category. Natasha Lyonne, Uzo Aduba and Laverne Cox have been lumped together with Tina Fey (“Saturday Night Live”), Melissa McCarthy (“SNL”) and Joan Cusack (“Shameless”).

The last three are guest actresses for those shows. But the OITNB stars, while not the leading actresses, are certainly more than guest actresses. Aduba is credited with being in 37 of the show’s 39 episodes, and Lyonne is credited with being in every episode on IMDb. They had standout and background moments. The characters are key to the story, so to only put them in the guest actress seems a bit strange.

The Emmys will air at 8 p.m. Aug. 25 on NBC. The show will be hosted by Seth Meyers.

What do you think? What were your surprises and snubs?