Is continuity expert a TV job now?

Ever watched a show so many times you noticed errors?

For me, “Gilmore Girls” has many errors. The church bells work, break, then work again. Rory is a mustard person, then a ketchup person. Emily skinny-dipped, then Richard says she kept her clothes on. I could go on, but admittedly I’ve seen this show way too many times.

It’s the struggle with binge-watching; when you watch multiple episodes in a row (or a season in a week), it’s much easier to catch flaws in the writing.

Even recently when I watched “Full House,” I noticed Danny doesn’t have his compulsive neatness until the later seasons.

Before Netflix, we only had reruns. And you may not even catch them sequentially. If you missed a day, you missed the episodes. That was it…at least until the next time through.

Now with the Internet, people dissect shows to oblivion. You can watch episodes over and over whenever. We’re not stuck to the TV Guide or channel listings.

So when a show comes out, it has to be flawless. A show can’t afford to have mistakes that commenters will eviscerate the moment it airs.

When “The Good Place” aired, and then expanded its universe, the amount of continuity and work it must have taken was astounding.

I’d imagine writer’s rooms must have a crime-scene-red-string set of boards mapping out storylines, characteristics…anything to help keep continuity at bay.

In order to satisfy today’s viewers, shows have to nail:

  • Character traits, histories
  • Conflicts prior to airing, in the same timeline
  • When and where stories take place, in order
  • Dealbreakers for characters

And that’s the bare minimum.

So, yes, we still need writers. AI can’t solve this.

Winter TV 2023 includes a lot of procedurals

I know crime shows are popular on broadcast TV, but this winter includes more procedurals than usual, and it’s a bit boring.

Here are my thoughts on new scripted TV shows:

That 90s show

All episodes streaming on Netflix

This reboot is one of the better ones, but it still has flaws.

The references to the old show and the 1990s are spot-on, along with the casting of Kelso’s kid.

But the kids’ ages are off in more ways than one, and frankly, they are not the best part of the show. Debra Jo Rupp and Kurtwood Smith own it.

Try it

Will Trent

10 p.m. Tuesdays on ABC

This show really needed a better name. The police procedural features a lot of actors returning to TV.

You’re dropped right into the action in the pilot, but you’ll quickly find out there’s a lot of emotional baggage. It was a bit complicated to follow, and the pilot focuses on the wrong plot points (for example, the dog plot is useless).

I’d rather watch Daniel Craig’s Benoit Blanc, the better version of this character.

Skip it

Alert Missing Persons Unit

9 p.m. Mondays on Fox

On the flip side, this show had a lot of setup, which feels necessary for this crime procedural.

You’ve probably seen the actors before, too, so it makes sense they’re on network TV.

But the pilot’s end twist was so predictable; I’m pretty sure I’ve seen it on TV before.

Skip it

Night Court

8 p.m. Tuesdays on NBC

This is another reboot (verified via the opening credits sequence) starring Melissa Rauch and John Larouquette, who reprises his role from the original sitcom.

Rauch plays the new night court judge, stepping in her dad’s shoes. In real life, the original actor died, so this is a nice tribute.

There are other callbacks to the original without being confusing to new viewers.

It’s going for the emotional heart, but it’s still fairly predictable and not overly funny.

Try it (with caution)

Accused

9 p.m. Sundays on Fox

This anthology show started with an episode that seriously creeped me out.

This drama is based on an award-winning British show. Each episode focuses on a different story in a courtroom.

It’s a great way to get bigger-name actors into your show for one episode.

I found the first episode, focusing on a father and son, the latter of whom seems to have psychiatric issues, really freaked me out. It was terrifying to watch to unfold between the events leading up and the courtroom.

Try it (with caution)

Binge watching in COVID-19

I’m almost bored with watching TV. Almost.

I enjoy the comfort of retreating to a world I know through TV. Especially when the real world is riddled with confusion and stress.

But maybe I’ve binged too much. You know you’ve watched the same show too many times when…

  1. You recognize when a character wears the same clothes.
  2. You know which plots don’t make sense because they don’t match up with previous episodes.
  3. You quote the show regularly.
  4. You relate real-life situations to show plots, even mentioning them to people as if they happened to your friends.
  5. Your Instagram Explore tab is related to the show you’re binging, even showing you pictures from episodes you just watched or are about to watch.
  6. You pass any BuzzFeed quiz about the show with ease.
  7. You’ve thought about having a show-themed party because you know exactly what to serve and how to decorate.
  8. You know the season and episode number without having to look it up.
  9. You can match characters’ hairstyles to a corresponding season.
  10. You look up episodes on IMDb to catch goofs…and sometimes catch ones they didn’t.

I’m fine with my binge watching. My friends are doing the same…we Snapchat and know the season they’re on. So at least I’m not alone.

Comfort TV in the age of quarantine and COVID-19

I’m on my second watch of “Gilmore Girls” this year. 

Now of course I love the show. But do I need to watch it again? Probably not. 

I’m not watching it because there’s a lack of TV. In fact, like most people, it feels impossible to keep up with the new shows and seasons these days. Especially with all the new streaming networks. 

Quibi may have inadvertently picked the worst time to come out given the current state of the world and its original intentions, but now we also have Peacock

I have four streaming services at the moment, but I hate to get another one considering I usually rotate between one or two for a month and then switch around. Though Peacock has a free version, which I appreciate.

I could watch new shows. I have the time. But given the political, racial and medical tension these days, I need a break. 

This year has been a huge return to comfort TV for me. I don’t want the stress of a new show. I want the familiarity of shows I’ve seen multiple times to escape the current state of the world. 

So if you’re in need of some comfort TV, here are my picks:

That 70s Show

For the fashion alone, this show is great. It takes you back to a time when loud prints, big hair and bell bottoms were way cool.

Plus, for a daily life show, they spend a lot of time chilling in the basement. Just like the rest of us right now it seems.

Frasier

When you’re biggest problem is running out of sherry or forgetting to hit the cough button, you’re doing OK.

This lovable comedy reminds us of a simpler time, and a time when dating was (somewhat) easier. Hey, at least it was in person.

Gilmore Girls

Talk fast. Feel better.

This show is my favorite. I love the relationship between Lorelai and Rory, and I always catch new references every time I watch.

Because I’ve seen this show so many times, it creates a sense of calm. I’m sure everyone has this type of show.

Boy Meets World

Binge-watching this show made me realize all the inconsistencies of it. Every character skips a grade or two, and Cory and Topanga break up and get back together way more times than I remember.

But again, simpler times. And we could all use a lesson in kindness from the incomparable Mr. Feeny.

I would also add “Friends” to the list, but alas, it’s on HBO Max now. Another streaming network!

My summer of binge-watching and catching up

Summer is the slow season for TV.

So what’s a TV blogger to do? Catch up and binge-watch. #ThanksNetflix

Here are some of the shows I’ve binged this summer, along with my binge, savor or skip verdict:

Parenthood

I’ve always heard people talk about this show — how sad it was, how poignant it was, how underrated it was.

So when I was in the mood for some sad TV to get some tears out, I started watching.

But I barely cried. I didn’t think it was that sad. But season 4, when Kristina (Monica Potter) goes through breast cancer treatment, got me. I was tearing up almost every episode.

Overall though, it seemed pretty average. I found some of the characters extremely annoying and unbearable to watch, but I still rooted for the Braverman family to stick together.

Verdict: Skip it

Episodes

While this Showtime show ran for 5 seasons, it’s only 41 episodes, so I watched the whole series in 2 days.

While I enjoyed watching Matt LeBlanc play a bit of a douchebag, a mix of real-life debauchery and Joey’s womanizing ways, it seemed like some plots were irrelevant.

Seasons 3 and 4 just plotted along without much punch; I couldn’t tell you most of the main plot points. Season 5 wraps up everything nicely, but almost too nicely.

Verdict: Binge it

Grace & Frankie

This is one of those shows that I missed when it came out, and then felt like I couldn’t catch up. Summer was the perfect time to catch up.

Jane Fonda and Lily Tomlin really work as two women struggling to pick up the pieces after their marriages end, and then thrive in their 70s.

It’s pretty inspiring to watch these two thrive, even when they’re bickering with each other. And I find myself laughing almost every episode.

I don’t really need some of the secondary stories, such as Grace’s daughter’s divorce and Lisa Kudrow‘s appearance as a widow looking to get her house back from her stepkids (that 3-episode arc was just a major “Friends” fan service if you ask me).

At 13 30-minute episodes each season, they are easy to speed through, but now I’m bummed I don’t have new episodes to watch.

Verdict: Savor it

GLOW

Season 2 of this Netflix show holds up. I may say it’s better than season 1 because it has a more ensemble focus.

Yes, it’s a bit campy; it is a show about female wrestling in the 80s. But it also touches on women’s rights and sexual harassment in a subtle way.

Ruth’s (Allison Brie) meeting with a studio head and Debbie’s (Betty Gilpin) reaction to Ruth not sleeping with the exec resonates in the #MeToo era. It broke my heart to see a character act so nonchalant about a heinous act of power.

Verdict: Savor or binge it

Queer Eye

I saved the best for last. I’m obsessed along with numerous others.

I’ve fallen in love with the Fab Five. They seem like a fun, honest bunch of guys, and they seem to have a genuine interest in helping the heroes, the name they give the real people they help each episode.

I watched season 1 in May and season 2 the day it came out. I’ve already seen both seasons twice, and don’t be surprised if I start re-watching it once I finish this blog.

Verdict: Binge it (over and over)

Bonus

Because I’ve already seen “Queer Eye,” I may do a workout during my next watch through, following these guidelines:

  • Intro music: 30-second wallsit
  • Transition slide (day 1, etc.): 5 burpees
  • Fab Five on-camera interview: 10 situps
  • Antoni is delighted/disgusted by food: 10 lunges (per side)
  • Jonathan says YAS/queen/girl/honey: 5 pushups
  • Tan gives fashion advice: 20 jumping jacks
  • Karamo has a heart-to-heart with a hero: 10 tricep dips
  • Bobby says “this space”: 10 bicycles (per side)
  • Crying: 10 bridges
  • Swearing: 10 squats
  • Hugs/Kisses: 10 mountain climbers
  • The Reveal: 30-second football run
  • “They’ll feel better about themselves”: 10 Russian twists
  • Something gets thrown out: 30-second plank

Now that’s some quality TV watching.

Gilmore Girls: A Year in the Life: An ex-journo’s perspective

It’s taken me a year to write this blog. And I’m still wrestling with my feelings.

As an avid “Gilmore Girls” fan, I was excited – yet skeptical – to watch “Gilmore Girls: A Year in the Life” last year when it came out on Netflix.

Yes, the reason for the reboot was great. It reunited the cast and the Sherman-Palladinos to finish the story they wanted to tell. And we’d get to hear the final four words. And among the cast, no one (seemingly) hated each other. The nostalgia factor was small, it was more about getting the chance to return.

But I wasn’t impressed. In fact, I was frustrated. After waiting for years – I started watching on ABC Family (now Freeform) around the time season 7 was airing – I was sorely disappointed.

I even watched it again months later, thinking some time away from it with more understanding and less hype would help, and I still didn’t like it.

Most people will say the Emily storyline was pretty great, Dean got just enough screen time and thank goodness Lorelai and Luke got married.

Most people will also say why Logan, Rory sucks now and why did the Stars Hollow Musical get so much screen time?

I agree with all those things. But the Rory storyline really bothers me.

I’ve had countless conversations with friends, colleagues and acquaintances on why or why not the revival was good. And I found something interesting.

People who watched “Gilmore Girls” when they were older than the ages Rory was during the original air didn’t care that much about the Rory storyline. They thought it made sense. Here she was, a privileged girl who had gotten almost everything handed to her, and with one setback she seemingly lost her career. Her spoiled nature finally caught up with her.

But the ones, like me, who at least started watching “Gilmore Girls” in their high school years, found the Rory storyline hard to stomach. Here was the girl we wanted to be, the girl who loved to read and was still cool, the girl who wanted to be a reporter and was thriving most of the time. And she was floundering. Failing, even. She lost control of her life and lost sight of what she’d always wanted.

In all reality, Rory is a complicated character. Some like her, some hate her. Is she spoiled? Yes. Is she smart? Yes. Was her growth stunted? Yes.

In trying to understand the show and the revival, I started listening to the “Gilmore Guys” podcast this summer and recently finished it. I had heard about it, but one of my friends who liked the revival recommended it, so I finally gave it a try.

First of all, those guys are great. Kevin T. Porter and Demi Adejuyigbe did a fantastic job just talking about the show. If you haven’t listened and are a “Gilmore Girls” fan, I recommend checking it out. Start in season 2 if the pilot episode bothers you, and skip the one where they talk about episode 109, even if you love that particular “Gilmore Girls” episode. Yes, they go off the rails sometimes, but it’s part of the fun.

The Gilmore Guys talked at length about the revival…something they didn’t expect to happen when they started out. (Porter had hoped it would happen but wasn’t sure it would.)

After my frustrations with the revival, I was curious to hear their thoughts. They seemed to like it overall, but really hated certain parts.

On the episode of the podcast that recounted the revival’s episode “Fall,” the Gilmore Guys and their guests, Aisha Muharrar and Sarah Heyward, talked at length about the problems with Rory’s storyline. And their thoughts stuck with me and made me question the talking points.

Sherman-Palladino claimed two reasons for Rory’s failure: Rory is a millennial and journalism is dying. While both of those are true, they shouldn’t have been the only reasons. Plenty of millennials are thriving in journalism, which is changing not dying (though the fake news movement isn’t helping the cause).

But would Rory’s failure really happen? It seems unlikely. She was a Yale graduate, Phi Beta Kappa, editor of the Yale Daily News, and published an article in The New Yorker. She’s no slump.

But she’s also run out of ideas, and some of her stories fell through.

That all seems realistic. We’ve all gone through slumps. But not for an entire year.

And working at the Stars Hollow Gazette for no pay? Yeah, right. If you want to use the millennial excuse, no millennial will work for no pay. Low pay, yes, but not zero pay.

The storyline where she went to Sandy Says as a last resort, I get. Sometimes desperate times call for desperate measures. Even her anger at not getting the job, while petty, makes sense. It sucks to lose out, especially at your last resort job. You want to feel important, wanted in your career.

Journalism is tough. It’s low pay, long hours, odd schedules and daily criticism. It’s going after the story no matter how scary, stressful or ridiculous. It’s also learning to keep up with an ever-changing world.

There is a reason I blog and don’t edit and design anymore. I get the stress Rory goes through. But while it’s tough, her lack of drive and unwillingness to try isn’t Rory.

The Rory we grew up with had focus. She worked hard to pass Chilton…and was named valedictorian by the end of her time there. She worked hard to still graduate on time after a semester off.

But this Rory didn’t care. She wanted everything to work perfectly without trying. She couldn’t find an angle for anything…for a year. A whole year.

Seriously? No good ideas? What kind of writer is that? And then her one idea (a book about her and her mom’s life) comes from Jess. It’s cliche and unoriginal.

As someone who idolized Rory, wanted to be Rory, her storyline was disappointing. Listening to the Gilmore Guys podcast made me see another side of Rory, one that was more socialite and less talent, more spoiled and less hard-working, so maybe another round of watching the show will make me see her in a new light.

But I think I’ll skip the revival.

‘Moone Boy’ brings feelings of nostalgia to Hulu

This blog was originally published on elkharttruth.com on June 9, 2015. “Moone Boy” premiered five years ago today.

Being a kid was the best.

No cares in the world, not much responsibility, no work … just lots of time with friends, family and fun.

Childhood is personified in a unique way on Hulu’s “Moone Boy.” Created by Chris O’Dowd, of “Bridesmaids” fame, the comedy follows an Irish family, specifically the lone son, Martin Moone, of the household and his invisible friend, Sean Murphy, played by O’Dowd, in the late 1980s/early 1990s.

The Irish family is also very Catholic, which causes conflict when one of the sisters is with child, whose father works at the town’s church.

The interactions between Martin (David Rawle) and his invisible friend make the show fun. It’s an inventive concept that you don’t see on TV often, though “The Whispers” on ABC seems to be taking the creepy angle of invisible friends (I can’t make myself watch that show yet).

O’Dowd is a writer, producer and director on the show, and his love for childlike antics and Ireland shine through in this comedy. He’s also not afraid to poke fun at himself, which means he sometimes dresses in hilarious outfits and makeup.

His character, although a figment of Martin’s imagination, has a life of his own, sometimes deviating from Martin’s moves.

Moone Boy” also has a sense of nostalgia. The theme song includes drawings on loose-leaf paper — you know, the kind you had in second grade — and the fashion is a mix of ’80s and ’90s.

Martin isn’t the sharpest kid, but he has ambition. And he’s learning through success and failure, but usually with his invisible friend by his side.

Unfortunately, while “Moone Boy” has all of its new season 3 episodes on Hulu, only seasons 1 and 2 and episode 1 of season 3 are available without Hulu Plus. With only six episodes per season and each episode less than 30 minutes, it’s a quick watch. (Note: This show is still available on Hulu, which is a paid subscription site now.)

Top 5 TV weddings to make you feel better about yours

Ah, wedding season.

June is here, which means many of us are dressing up and watching friends and family declare their love for their partners. But not every wedding goes off without a hitch.

In no particular order, here are my top 5 TV weddings:

Monica and Chandler, “Friends

Monica and Chandler are definitely the more stable couple in the “Friends” world. But their wedding was not so stable.

Chandler, of course, freaked out, and Joey almost missed the ceremony due to a movie role.

Plus there was the whole who’s-actually-pregnant question.

In the end, they got married, vowing to stand by each other, and Chandler even tried to dance at the reception.

Chandler GIF - Find & Share on GIPHY

Lily and Marshall, “How I Met Your Mother

On their wedding day, nothing seemed to go right for Lily and Marshall, who were finally tying the knot after a broken engagement, a cancelled Atlantic City at-sea wedding and many years together.

The harpist went into the labor, Lilly’s ex showed up and Marshall shaved a part of his head. Lilly tried to keep it together, but she finally panicked.

And no, the actual wedding wasn’t the focus, but their intimate outside ceremony was, and it even included some crying from Barney, who claimed no one should get married.

Himym GIF - Find & Share on GIPHY

Miranda and Steve, “Sex and the City

The perfect wedding for the down-to-earth couple.

Miranda wasn’t the one who necessarily wanted marriage, but after proposing to longtime (albeit on-and-off) lover Steve, she finds making the moment not so over-the-top and cliche was a challenge (“I have a child – the jig is up!” she says to someone trying to help her find a dress for the occasion).

But the couple finds a beautiful, tranquil garden. And Miranda wears an understated maroon outfit. Simple and fit for them.

Jim and Pam, “The Office

Another wedding gone wrong. Quite the theme on TV.

This lovely couple tries to go with the punches, but in the end, they sneak off to marry in a secret ceremony.

Who wouldn’t want a guy like Jim? He’s a sweetie who tries to make the best of the situation.

And here’s where everyone swoons: “And Plan A was marrying her a long, long time ago. Pretty much the day I met her.”

*Note: This is the only episode of “The Office” I’ve ever watched.

Tv GIF - Find & Share on GIPHY

Becky and Jesse, “Full House

Any time Jesse sings on “Full House,” I’m in.

Course you have to watch him finally make his way to the chapel first before his wedding. And that trek includes skydiving, a truck of tomatoes and a bus filled with a gospel choir.

But by the end, with all the 80s/90s fashion, there’s crooning to “Forever” and “Jailhouse Rock,” so you can’t go wrong there.

Tv GIF - Find & Share on GIPHY

What are your favorite TV weddings?

Top 10 episodes of CBS’ ‘The Big Bang Theory’

This blog was originally published on elkharttruth.com on Aug. 11, 2015.

I’m a fan of comedies, so after picking the best episodes of “How I Met Your Mother” and “Friends,” it’s time to pick the top 10 episodes of “The Big Bang Theory.”

Of course, the CBS show still has many episodes to go, so this list could change, but here are my current picks (spoilers ahead if you haven’t seen every episode):

10. “The Proton Resurgence,” season 6

Bob Newhart won an Emmy for his guest-starring role as Sheldon’s beloved childhood idol Professor Proton in this episode.

It’s one of the few times that Sheldon (Jim Parsons) shows genuine affection for another human being. But that doesn’t mean conversation isn’t sometimes awkward.

9. “The Spaghetti Catalyst,” season 3

Sheldon going behind Leonard’s back? Uh-oh.

When Sheldon and Penny (Kaley Cuoco-Sweeting) have dinner together, Sheldon feels a lot of guilt but doesn’t know how to handle the friendship after Penny and Leonard (Johnny Galecki) break up.

And at one point he gets chased by a dog.

8. “The Maternal Capacitance,” season 2

What could go wrong when Leonard’s mother, Beverly (Christine Baranski), comes to visit? Quite a lot.

Penny and Leonard end up drinking in excess, leading to a revelation that angers Penny.

Sheldon and Beverly, who are quite similar in personality, grow closer and bond … over the game “Rock Band.”

7. “The Countdown Reflection,” season 5

Bernadette (Melissa Rauch) and Howard (Simon Helberg) rush to get married when his space trip gets moved.

Exemplifying the nerdiness of the show, the gang hatches a plan to have the wedding on the roof so it can be seen by a satellite. And they all officiate the ceremony, with a little Klingon thrown in by Sheldon.

It’s also the one time we “see” Howard’s mom (voiced by the late Carol Ann Susi) … her figure is seen as the camera zooms out over the wedding near the episode’s end.

6. “The Romance Resonance,” season 7

Howard sings to Bernadette for the anniversary of their first date. And it’s the nerdiest, cutest song you’ll hear.

5. “The Pants Alternative,” season 3

Sheldon doesn’t know social norms, which causes a massive problem when he has to give a speech to receive an award.

He doesn’t want to give the speech, but he does want the award, so his friends try to coach him. Which would’ve worked, maybe, until he drinks too much and gets slightly out of control.

4. “The Locomotive Manipulation,” season 7

After many years together, Sheldon and Amy (Mayim Bialik) kiss! And Sheldon doesn’t mind … he might even like it.

3. “The Prom Equivalency,” season 8

Since most of the characters were bullied and/or went stag to prom, they decide to have a do-over.

Leonard and Penny talk about their past. Howard can’t deal with comic book store owner/friend Stuart’s (Kevin Sussman) relationship with Howard’s mother, which ends in a fight in a limo.

Most importantly, Sheldon tells Amy he loves her. (I’m a huge Shamy fan.)

2. “The Bath Item Gift Hypothesis,” season 2

I chose this episode in my great Christmas episodes list.

But the holiday theme doesn’t matter; it’s a humorous, heart-warming episode with one of many awww-inducing moments from Sheldon and Penny.

1. “The Adhesive Duck Deficiency,” season 3

Leave it to Leonard, Howard and Raj (Kunal Nayyar) to get accidentally stoned. They may be scientists, but their street smarts are lacking.

At least the results are hilarious to watch.

Elsewhere, Penny needs Sheldon’s help, which doesn’t go well. If only she had put adhesive ducks in her bathtub …

This is also an episode that features “Soft Kitty, Warm Kitty,” the song Sheldon needs to hear when he’s sick.

 

The Big Bang Theory” returns Sept. 21 for its ninth season, which can’t come soon enough after last season’s cliffhanger finale.

What are your favorite “Big Bang Theory” episodes?

‘Downton Abbey’ isn’t just a show for women

This blog was originally published on elkharttruth.com on Aug. 13, 2014.

Sometimes, I’m behind on my TV shows.

A few of my friends kept telling me to watch “Downton Abbey,” so I gave in and borrowed the first season from the library.

One friend said the first season wasn’t good, so I wasn’t sure what to think. I thought the first season, which centers around who the eldest daughter, Mary, should wed, was good TV.

But by the time I watched the second season, I was hooked.

The show has covered many years. The premiere takes place after the Titanic sunk in 1912, and season four takes place in the 1920s. The first and second seasons spanned many more years than the third and fourth.

Some say the show is geared toward woman, but I disagree.

Yes, the period drama showcases beautiful costumes, and yes, there is romance. But it’s so much more than that.

As a whole, “Downton Abbey” is a show about a family empire in transition. Themes of war, politics, love and tradition are sprinkled throughout the show’s 34 episodes.

The drama portrays history in an interesting way. It’s not always accurate, but I won’t discredit the show for that. They do have a historical adviser, and some of the scenes are filmed at Highclere Castle in England.

With the second season depicting World War I, many changes occurred throughout the following years and episodes as the family and country deal with the aftermath of the war in terms of social standard, economy and more.

Rape, racism, dancing, weddings, arguments and other events and issues are depicted in the British show.

It’s also interesting to note that some of the problems the Downton family faces are still a problem today. The estate faces financial trouble, including a bad investment, and some deem the family as too entitled.

I suggest giving the show a chance. Its merit is beyond pretty costumes.

Season 5 of “Downton Abbey” will air in the U.S. in January.