Tag: CBS

Fall TV 2022: October shows

Fall is here, and new broadcast shows are hitting your TV screen.

Just not with a bang, but with a dull roar.

East New York

9 p.m. Sundays on CBS

It’s another cop show, what can I say?

Look, it’s not my type of show, but I can appreciate its efforts on cop-citizen relations, diversity, race and other issues.

Plus the romance so far is very minimal, which I’m hoping stays that way. Not every show needs a romance.

The music could use an update. I get they’re going for different voices to represent East New York, but it feels very out of place on a CBS show with a mostly 40-50+ cast.

Try it (with caution)

This reality show is giving major “Celebrity Dating Game” vibes. Hosts Rebecca Romijn and Jerry O’Connell are clearly reading a teleprompter. Romijn has a look of “what am I doing here?” and O’Connell has it dialed to 11.

It’s too bad this show was probably filmed before the latest Bachelorette season, which also took place on a cruise ship. It’s also a total rip on “Bachelor in Paradise” with a bit of “Amazing Race” or “Big Brother” pulled in.

It should’ve at least aired in the summer for the light, fluffy TV season.

Skip it

Alaska Daily

10 p.m. Thursdays on ABC

Hillary Swank and Jeff Perry are definitely holding the star power in this drama, though it’s not either of their best work.

But the pacing is off. It speeds up and slows down, which was jarring.

There is a lot to throw into one pilot episode, but I’m not sure the drama can gain enough momentum in any of them.

Skip it

Walker Independence

9 p.m. Thursdays on the CW

I didn’t mind the original version of this drama, mainly because of Jared Padalecki’s charm.

But this prequel spinoff is terrible. I was so distracted immediately by the 2020s hair and makeup on lead Katherine McNamara (the drama takes place in the 1800s), it was hard to focus on much else.

The show can’t decide whether it’s a period piece or a sexy love and crime show, and neither option is good. It’s so overall dramatic it’s borderline cheesy.

Skip it

Fire Country

9 p.m. Fridays on CBS

To save some head scratching, this show stars the young boy in “The Pacifier.”

This drama kept my attention, even though the character connections are a little too neatly tied.

The pilot presented a lot of plotlines, but it wasn’t heavy-handed.

Try it (with caution)

Winter TV 2022: As drab as the weather

In the cold of winter, we’d hope TV could provide some comfort.

This season, not so much.

Here’s a quick summary of the new broadcast shows in 2022.

The Cleaning Lady

9 p.m. Mondays on Fox

In Las Vegas, two sisters are trying to make ends meet by cleaning. What path will they take to secure help for their kids?

They’re both undocumented, but the main character is called an illegal at one point, which doesn’t seem like a good look, especially since there’s also a lot of back alley business going on in this drama. Not to mention an insinuation that the FBI is following them.

It’s based on an Argentine series, but I’m not sure the show has anything good or helpful to say.

Skip it

Pivoting

9:30 p.m. Thursdays on Fox

Eliza Coupe, Gennifer Goodwin and Maggie Q star in this half-hour dramedy, which starts off with the vibe of “A Million Little Things” and “First Wives Club.”

I laughed a bit, but the emotional heart of this story, centering around three friends who pivot (get it?) after their friend dies, is a little forced. The three actresses deserve better, but maybe it’ll pick up a bit.

Besides, if anything is relatable, it’s a character trying desperately to fit into her skinny jeans…though in today’s world that’s probably because we’ve worked from home for two years, not just because.

On a funny note, I hope Dave, one of the woman’s husbands, never actually appears, like Vera on “Cheers” or Maris on “Frasier.”

Try it (with caution)

Naomi

9 p.m. Tuesdays on the CW

The CW should really just rebrand as SuperheroTV. In yet another superhero drama, a girl named Naomi is an adopted high school student who runs a Superman blog.

Her adoptive parents and the townspeople may be hiding the truth about who she is and what her capabilities are, but the pilot telegraphs she has some power…once she takes her glasses off.

The special effects are pretty blah for a new show, but I give them credit for putting a Black female hero on the screen.

Skip it (unless superhero shows are your thing)

American Auto

8 p.m. Tuesdays on NBC

The pilot for this comedy is so expositional, it’s hard to believe any of it is realistic. It makes no sense that the company would still be surviving after a CEO with zero automotive experience comes in and the executives unveil a new car concept that’s made up in six hours.

Sure, there’s only one white American guy in the main cast, but he’s a complete (choose your swear word here), and the actor is basically playing the same role he did on “Superstore” but with arrogance instead of stupidity.

Skip it

Grand Crew

8:30 p.m. Tuesdays on NBC

So two roommates, a married couple, and a brother and sister all hang out together at a wine bar…sound familiar? This comedy is basically “Friends” set in LA.

Everyone feels a little too caricatured, and the narrator concept is overdone, tedious and pointless.

The pilot only sets up the series, and it takes the full episode to do so. I wish this show was better given its cast, which includes Nicole Byer.

Skip it

That’s my Jam

9 p.m. Mondays on NBC

This “new” game show is just “Hollywood Game Night” but with mostly music-focused games, no regular-people contestants and Jimmy Fallon as host.

It’s so silly and not in a fun, hate-watch kind of way.

Can we bring back “Hollywood Game Night”?

Skip it

Abbott elementary

9 p.m. Tuesdays on ABC

This comedy/mockumentary is just “The Office” in an elementary school setting.

It can be a funny take on real issues schools and teachers are facing, but that might be oft-putting for some, especially teachers who have really gone through a lot the last two years.

A romance is heavy-handedly foreshadowed, which is probably unnecessary for plot but necessary for a broadcast show.

Try it (with caution)

Good Sam

10 p.m. Wednesdays on CBS

This drama has a bit of a “Scrubs,” but with family instead of friends, in it.

Sophia Bush holds the show, and the pilot does a good job of setting up the show without being all exposition.

It’s still a medical procedural, a concept we already have enough of. There is one plot point that seems a bit too soap opera for my taste, but we’ll see where it goes.

Try it (with caution)

What shows are you enjoying this season?

Fall TV 2021: Some shows show promise

New shows are coming, and some may be worth watching.

Here are my quick takes (side note: “Killer Camp” and “The Activists” have been pulled from the air):

Legends of the Hidden Temple

8 p.m. Sundays on the CW

This game show is a remake, and boy can you tell. It feels so 90s, even the prizes (one team got a Razor scooter).

The main differences are it’s adults competing not kids, and it’s an hour instead of a half-hour.

The adults competing is fine, but an hour for a show with only a handful of challenges is pointless.

The tradition of the game feels really forced, and poor Cristela Alonzo feels like she’s gritting her teeth through her hosting duties.

They should’ve aired this show in the summer when people are more inclined to watch pointless game shows.

Skip it (unless you have nostalgia for the original)

4400

9 p.m. Tuesdays on the CW

This reboot of a show from the 2000s has an intriguing presence.

People from all ages, races and time periods end up on Belle Isle in Detroit with no idea what’s happened and unsure of what year it is.

It feels a bit like “Lost” or “X Files” with a strong overtone of government-police-community relations, but while it’s a lot to follow, it could be interesting.

The original ran for four seasons, but I hope they make this remake more of a mini-series. I don’t think the mystery needs to be dragged out for years.

Try it

Queens

10 p.m. Tuesdays on ABC

This fiery show is so fun.

The pilot sets up what could’ve been a cute movie about a girl group reuniting, but I’m excited to see it dive deeper in upcoming episodes.

Each girl group member has issues to deal with, but you still believe they can be friends and love each other even in disagreements. And the music performances are full of energy.

Watch it

Home Sweet Home

8 p.m. Fridays on NBC

I really thought this Ava DuVernay produced show would be so cheesy, forced and sappy. And while there are slow-motion shots and pingy, cheesy music, it’s a heartwarming show.

In each episode, two families exchange houses and try one another’s traditions and activities for four days before meeting up for a meal. There are so many lessons to learn from one another, but taking it down to the family level really brings home some of the important discussions.

I can’t imagine it’ll last too long, and I’m guessing they’ll choose families that are very different from each other, but hopefully it’s for learning, not drama.

Try it

Ghosts

9 p.m. Thursdays on CBS

You may recognize some of the actors in this comedy that’s based on a UK series.

A group of ghosts is stuck living in a mansion, but when a new couple comes in, hijinks ensue.

I feel badly for the actors who play ghosts since they’ll always be in the same costume, and one person isn’t wearing pants.

It’s a bit of a soap opera plot that’s set up in the pilot, so it may have potential, but I’m not sure it’s that funny.

Skip it

New TV 2020: A mixed bag.

Fall TV has never been so slow, especially on broadcast networks.

A few more shows have premiered this season, and it’s a mixed bag.

b positive

8:30 p.m. Thursdays on CBS

In a year of wanting medical success stories, this show feels a little pedantic.

Two high school classmates reunite at a wedding, and she agrees to give him her kidney.

Unfortunately, even though these two are played by promising actors (Thomas Middleditch and Annaleigh Ashford), they are given nothing more than bad-single-dad and dumb-drugged-out-blonde stereotypes to work with.

big sky

10 p.m. Tuesdays on ABC

There’s a lot to unpack here — murder, sex trafficking, kidnapping, affairs, abnormal relationships, private investigation, highway patrol gone rogue — but this drama knows it, and it’s ready to take you on a ride.

The pilot had multiple shocking moments, and it looks like it’ll have lots of twists and turns to keep viewers guessing.

And the best part? Beautiful Montana views. (OK, it’s not really Montana, but it does look nice.)

My biggest critique is they mention the pandemic, but it seems like an afterthought. And no one is wearing a mask.

nurses

10 p.m. Mondays on NBC

NBC has plenty of medical dramas, but this one is tending to be a bit soapy.

It’s hard to say if the pilot’s story will continue most of the season (I hope not), or if it will become more of a “Scrubs” meets “New Amsterdam” type of situation, which I’m not sure is much better.

Winter TV 2020: Only one show worth watching

With broadcast TV seemingly waning, fewer and fewer new shows premiere.
Winter shows tend to be shows that weren’t good enough for the fall. With one exception, this rings true.

‘Zoey’s extraordinary playlist’

9 p.m. Sundays on NBC

As creative as this show seems to be, it’s basically “Glee” with “That’s So Raven” mixed in.

After a surge happens during her MRI, Zoey can hear and see song and dance around her, including people’s inner thoughts.

The show is full of stars (Lauren Graham, Peter Gallagher, Mary Steenburgen), but they don’t always sing. They’re smart enough to let Skylar Astin and Alex Newell (who was on “Glee”) sing in the pilot.

It’s a bit of a ridiculous concept, but the song and dance numbers are entertaining.

Watch it

‘Katy Keene’

8 p.m. Thursdays on the CW

Greg Berlanti can’t stop, won’t stop when it comes to producing shows for the CW. This “Riverdale” spinoff (Josie is on this show, moving in with Katy, a friend of Veronica’s, a few years after the timeline of when “Riverdale” is now) just shows a less gritty side. Think less “Arrow,” more “Love, Simon.”

Lucy Hale carries the teen soap well, but without a hair or rhinestone out of place, this NYC too pristine.

Try it

‘Indebted’

9:30 p.m. Thursdays on NBC

With a cast of B-list TV actors (Abby Elliott, Adam Pally, Steven Weber) and Fran Drescher, this show my blood boil.

It’s basically a suburban version of “Schitt’s Creek,” so I don’t know if Dan Levy is out of ideas or if NBC just really wanted The Nanny back on TV.

In either case, even though the pilot references Facebook campaigns and Drake, it feels dated and stale, especially with the Jewish and Indian stereotypes.

Skip it

‘For Life’

10 p.m. Tuesdays on ABC

What’s your method to a better life? Hard work and good will is how Aaron Wallace looks at it.

Wallace has a life sentence for a crime he didn’t commit, so he becomes a lawyer to help others overturn their wrongful sentences.

The courtroom drama is more than that; there’s family strain with Wallace’s family back home and possible back-door deals for political agendas.

Based (loosely, of course) on the real-life story of Isaac Wright, Jr., there is an obvious end to the story, but watching someone fight for justice for others is appealing.

Try it

‘Outmatched’

8:30 p.m. Thursdays on FOX

If Eric and Donna from “That 70s Show” had kids …would they still have a basement?

Because that’s how this show feels.

Jason Biggs and Maggie Lawson star as average parents who have four children, three of which are geniuses. And they retreat to the basement to chat and, in one instance, smoke.

Overall, the comedy is boring. The kids are over acting, and Biggs and Lawson recite lines like they’re just there to collect a paycheck.

Skip it

‘Tommy’

10 p.m. Thursdays on CBS

Racism, sexism, immigration, gangs, divorce, LGBT representation … how many issues can we stuff in one show?

Edie Falco carries it well, but it’s hard to keep straight what the point is of this cop drama.

Maybe the pilot just tried too hard, and it’ll focus its issues more in episodes to come. If that’s the case, it could have potential to be thought-provoking.

Skip it

‘Duncanville’

8:30 p.m. Sundays on FOX

This comedy was way more enjoyable for me than other Sunday Fox animated series.

It may be the plethora of pop culture references or hearing Amy Poehler and Ty Burrell again, but it’s a cute, irreverant comedy about family and growing up.

I just expect the references to continue.

Try it

Fall TV 2019: ‘Unicorn,’ ‘Stumptown’ worth a watch

No one has time to watch all the new fall TV shows, so I’ll help you out.

Course, many of them weren’t worth watching.

Here are my quick takes.

Bob ❤️ ️Abishola

8:30 p.m. Mondays on CBS

The only part of this show that doesn’t feel outdated is the emoji in the title.

Skip

Prodigal Son

9 p.m. Mondays on Fox

“White Collar” meets “CSI” with a father/son version of “Bates Motel.”

Proceed with caution

All Rise

9 a.m. Mondays on CBS

It’s “Drop Dead Diva” without the soap-opera feel but with commentary on race and women in the workplace.

Proceed with caution

Bluff City Law

10 p.m. Mondays on NBC

I would’ve rather wasted another half-hour on this father-daughter courtroom melodrama as part of a TBS Saturday movie marathon than watch an entire series.

Skip

mixed-ish

9 p.m. Tuesdays on ABC

This overdone spinoff basically mimics “black-ish” with B-list white actors (looking at you, Gary Cole).

Skip

Emergence

10 p.m. Tuesdays on ABC

While this sci-fi, crime and mystery show had a lot of hype around it, it would’ve been better as a limited series.

Skip

Stumptown

10 p.m. Wednesdays on ABC

Clearly ABC wants this graphic novel-based show to succeed (its music budget alone must be huge with all the 80s hits), and it’s nice to see a woman leading the chase.

Try

The Unicorn

8:30 p.m. Thursdays on CBS

I’m not the right audience for this, but this new-phase-of-life comedy seems to have some heart.

Try

Perfect Harmony

8:30 p.m. Thursdays on NBC

A Simon Cowell type gets a glee club filled with so many archetypes you won’t care about many of them.

Proceed with caution

Carol’s Second Act

9:30 p.m. Thursdays on CBS

“Scrubs” meets the movie “Second Act” with a lot of stars you’ll recognize.

Skip

Sunnyside

9:30 p.m. Thursdays on NBC

This political comedy is supposed to be about immigration and citizenship, but it has nothing new to say, especially with its cast of caricatures.

Skip

Evil

10 p.m. Thursdays on CBS

The creators of “The Good Wife” thought they’d take a stab at religion, and all we got is a courtroom drama with a heavy dose of “The Exorcist.”

Skip

Bless the Harts

8:30 p.m. Sundays on Fox

Animation Domination gets another flop in this “The King of Queens” meets “The Simpsons” comedy.

Skip

Which shows have you watched?

Fall TV 2018 Round 2: Skip it, watch it or give it another chance

I can’t believe I’m bored with new TV.

The new crop of shows is mediocre at best.

Here’s my short take on the latest new shows:

(Note: I didn’t include reboots or remakes since those feel like their own category.)

“The Neighborhood“

8 p.m. Mondays on CBS

Verdict: Give it a chance

This comedy has the potential to become a show that has laughs and good lessons about race and relationships. If not, it’s just a show where Schmidt (Max Greenfield, playing a dad whose family moves to a black neighborhood) smiles way too much.

“Happy Together“

8:30 p.m. Mondays on CBS

Verdict: Give it a chance

While the premise is completely ridiculous (a celebrity moves in with his accountant and his wife), this comedy has some laughs, especially with the cast’s physical comedy.

“All American“

9 p.m. Wednesdays on the CW

Verdict: Skip it

This drama is “Friday Night Lights” meets “The Blind Side” meets a soap opera (the pilot’s cliffhanger ending was so obvious). Also, pretty sure the main character wouldn’t be able to afford Beats by Dre headphones, but OK…

“The Alec Baldwin Show“

10 p.m. Sundays on ABC

Verdict: Skip it

If you think “Inside the Actors Studio” is dry, stuffy and impersonal, run away very quickly from this talk show. The format is stale, there’s no audience for feedback, and Alec Baldwin acts like he’s interviewing his guests for a job interview, not a talk show.

“The Kids Are Alright“

8:30 p.m. Tuesdays on ABC

Verdict: Skip it

This 70s-set show doesn’t make Catholics look great. The semi-happy conclusion happened too fast. I have no idea what compelled someone to produce this show.

“The Rookie“

10 p.m. Tuesdays on ABC

Verdict: Watch it

Yes, this may be a procedural, but it has heart. The pilot smartly showcased a snippet of every character to develop them in an interesting way without feeling overly expository.

What shows are you enjoying?

Fall TV 2018: Skip it, watch it or give it another chance

I’d say fall TV season is like Christmas for TV enthusiasts, but these shows aren’t that great, so if it does feel like Christmas, it’s disappointing.

Many new broadcast shows have premiered this month, so here’s my short take on each:

(Note: I didn’t include reboots or remakes since those feel like their own category.)

“Rel“

9:30 p.m. Sundays on Fox

Verdict: Skip it

This show feels like a 90s sitcom, and not in a good way. Plus, its identity seems conflicted between the newly single dad main character’s friends and his children, who were unseen in the pilot.

“I Feel Bad“

9:30 p.m. Thursdays on NBC

Verdict: Give it another chance

While the workplace setting of this Amy-Poehler-produced sitcom is embarrassingly bad, the show has a funny, honest take on being a woman and wife in a time when we’re supposed to have everything at our disposal. It could develop into something funny.

“Manifest“

10 p.m. Mondays on NBC

Verdict: Watch it

What could have been a cheesy take on the disappearance of Malaysia Airlines Flight 370 is actually a poignant look at family, relationships, grief and faith.

“FBI“

9 p.m. Tuesdays on CBS

Verdict: Skip it

Nothing is compelling about this procedural from producer Dick Wolf. While the pilot case was timely, the outcome was predictable.

“New Amsterdam“

10 p.m. Tuesdays on NBC

Verdict: Skip it

This drama, unfortunately, feels like it has a white-savior complex that’ll just make you roll your eyes through all the disjointed storylines. And if I heard Ryan Eggold’s hospital director character say “How can I help you?” one more time during the pilot, I might have thrown something at the TV.

“Single Parents“

9:30 p.m. Wednesdays on ABC

Verdict: Skip it

This poorly conceived show filled with stereotypes gives the stars (including Leighton Meester, Brad Garrett and Taran Killam) nothing to work with, except for one scene featuring a “Moana” song. Don’t waste your time.

“A Million Little Things“

10 p.m. Wednesdays on ABC

Verdict: Skip it

ABC’s answer to “This is Us” misses the mark with unlikable characters stuck in a sad story without any uplifting spirit.

“God Friended Me“

Sundays on CBS

Verdict: Give it a chance

It’s too bad Violett Beane picked this show over playing Jesse Quick on “The Flash,” because her earnestness is the only thing that carries this cheesy show that would’ve been better executed as a movie.

“The Cool Kids“

8:30 p.m. Fridays on Fox

Verdict: Skip it

Nothing is cool about this retirement-home-set show, especially with it’s anti-female and homophobic jokes.

Upfronts 2018: Trends for broadcast TV

Making changes but rebooting favorites…that about sums up “new” TV in 2018.

Here are 3 trends from last week’s upfronts.

Reboots galore

The reboots trend will never die at this rate.

Coming off the success of ABC‘s reboot of “Roseanne,” more are coming.

First, “Murphy Brown” returns on CBS, with Candice Bergen bringing her strong newswoman character back to the screen. It’ll air on Thursdays, after CBS hits “The Big Bang Theory” and “Mom.”

Then, there’s “Charmed,” which the CW is bringing back to life. It’ll air alongside “Supergirl” on Sundays, a night that the network hasn’t aired new shows on before.

Lastly, “Last Man Standing” is coming back, on Fox. It’ll be paired with another comedy tailored for an older audience, “The Cool Kids.”

Switcheroos

Speaking of changing networks, “Brooklyn Nine-Nine” is going to NBC after being canceled by Fox.

“Lethal Weapon” replaced lead actor Clayne Crawford after he was accused of poor onset behavior.

And with Thursday Night Football shifting from CBS to Fox, there are many schedule shifts for that network, which, for a network that is known for comedy, only has two new comedies premiering in the fall (“Rel” and the aforementioned “The Cool Kids”)

Very few new shows

With so many networks vying for viewers’ attention, it seems networks are playing it safe by airing fewer new shows and saving some for midseason, when a series premier typically means half the number of episodes.

This fall, most broadcast networks are airing only 2-4 new shows, with the exception of CBS, which boasts six new fall shows.

Midseason, which used to have fewer premieres, now seems to have a similar number of new shows (though that could change before January).

However, the reboots start in the fall, no doubt because they’ll get the viewer’s interest more easily thanks to old and new fans watching.

Award shows 2018: Do network shows have a place anymore?

At the Golden Globes this year, only one out of 11 TV award winners was a network TV show representative (Sterling K. Brown won best actor in a drama series for NBC’s “This is Us.”)

Tomorrow’s SAG Awards only have five network TV show nominations among all the categories.

Do network shows even stand a chance anymore?

Now that Netflix consistently pulls out award-winning shows, with Amazon and Hulu reaching their stride in quality shows, is it time to separate out network shows from paid services shows?

The way people watch Netflix shows vs. a show on ABC, Fox, etc. is so different. You can binge a Netflix series in a weekend, while NBC draws out one season of “This is Us” from September to April or so (but maybe that’s so we can all take a sobbing break).

Plus, Hulu and those networks have advantages network shows don’t. On a network like CBS, you can’t swear, show nudity, depict graphic violence and other things. Rules must be followed. On online networks, the rules don’t apply. Anything can happen. And it usually does.

Another big difference is network shows play to commercial breaks. They place cliffhangers and plot points in just the right spot to keep you watching. On Netflix, it seems like most original drama episodes end on cliffhangers so you’ll continue watching. And Netflix doesn’t even ask the pesky question “Are you still watching?” when it’s an original show. It can play out like one long, continuous story, and viewers soak it right up.

Network shows just can’t play the same game online networks can. So is it fair to pit them against each other in award categories?

Plenty of quality shows still exist on ABC, NBC, CBS, Fox and the CW. Should they be recognized in a different way? Or does that just further depict the difference in the TV formats?

It may be time to revisit how award shows handle TV shows.