Tag: ABC

Fall TV 2019: ‘Nancy Drew,’ ‘Almost Family’ disappointing

Broadcast TV really isn’t what it used to be.

Here are my quick takes on the lastest new fall TV shows (spoiler, it’s not great):

Kids say the darndest things

8 p.m. Sundays on ABC 

You’d think this show would be cute, but it feels stale and even Tiffany Haddish can’t fully save it.

Proceed with caution


Almost family

9 p.m. Wednesdays on Fox

This dramedy seemed heartwarming, but the premise is so disgusting it ruined the potential sweet moments.

Skip it


Batwoman

8 p.m. Sundays on the CW

While the next in the CW superhero show in the lineup is formulaic, the pilot ends on a shocking (to me) twist that could make future episodes enjoyable.

Proceed with caution

Nancy Drew

9 p.m. Wednesdays on the CW

This show, based on the book series, is basically “Riverdale” but with a true mystery focus…and bad acting.

Skip it

Let’s hope the cable/streaming new shows are better (I’ll be checking out “The Politician” soon)

Fall TV 2019: ‘Unicorn,’ ‘Stumptown’ worth a watch

No one has time to watch all the new fall TV shows, so I’ll help you out.

Course, many of them weren’t worth watching.

Here are my quick takes.

Bob ❤️ ️Abishola

8:30 p.m. Mondays on CBS

The only part of this show that doesn’t feel outdated is the emoji in the title.

Skip

Prodigal Son

9 p.m. Mondays on Fox

“White Collar” meets “CSI” with a father/son version of “Bates Motel.”

Proceed with caution

All Rise

9 a.m. Mondays on CBS

It’s “Drop Dead Diva” without the soap-opera feel but with commentary on race and women in the workplace.

Proceed with caution

Bluff City Law

10 p.m. Mondays on NBC

I would’ve rather wasted another half-hour on this father-daughter courtroom melodrama as part of a TBS Saturday movie marathon than watch an entire series.

Skip

mixed-ish

9 p.m. Tuesdays on ABC

This overdone spinoff basically mimics “black-ish” with B-list white actors (looking at you, Gary Cole).

Skip

Emergence

10 p.m. Tuesdays on ABC

While this sci-fi, crime and mystery show had a lot of hype around it, it would’ve been better as a limited series.

Skip

Stumptown

10 p.m. Wednesdays on ABC

Clearly ABC wants this graphic novel-based show to succeed (its music budget alone must be huge with all the 80s hits), and it’s nice to see a woman leading the chase.

Try

The Unicorn

8:30 p.m. Thursdays on CBS

I’m not the right audience for this, but this new-phase-of-life comedy seems to have some heart.

Try

Perfect Harmony

8:30 p.m. Thursdays on NBC

A Simon Cowell type gets a glee club filled with so many archetypes you won’t care about many of them.

Proceed with caution

Carol’s Second Act

9:30 p.m. Thursdays on CBS

“Scrubs” meets the movie “Second Act” with a lot of stars you’ll recognize.

Skip

Sunnyside

9:30 p.m. Thursdays on NBC

This political comedy is supposed to be about immigration and citizenship, but it has nothing new to say, especially with its cast of caricatures.

Skip

Evil

10 p.m. Thursdays on CBS

The creators of “The Good Wife” thought they’d take a stab at religion, and all we got is a courtroom drama with a heavy dose of “The Exorcist.”

Skip

Bless the Harts

8:30 p.m. Sundays on Fox

Animation Domination gets another flop in this “The King of Queens” meets “The Simpsons” comedy.

Skip

Which shows have you watched? 

Fall TV 2018 Round 2: Skip it, watch it or give it another chance

I can’t believe I’m bored with new TV.

The new crop of shows is mediocre at best.

Here’s my short take on the latest new shows:

(Note: I didn’t include reboots or remakes since those feel like their own category.)

“The Neighborhood“

8 p.m. Mondays on CBS

Verdict: Give it a chance

This comedy has the potential to become a show that has laughs and good lessons about race and relationships. If not, it’s just a show where Schmidt (Max Greenfield, playing a dad whose family moves to a black neighborhood) smiles way too much.

“Happy Together“

8:30 p.m. Mondays on CBS

Verdict: Give it a chance

While the premise is completely ridiculous (a celebrity moves in with his accountant and his wife), this comedy has some laughs, especially with the cast’s physical comedy.

“All American“

9 p.m. Wednesdays on the CW

Verdict: Skip it

This drama is “Friday Night Lights” meets “The Blind Side” meets a soap opera (the pilot’s cliffhanger ending was so obvious). Also, pretty sure the main character wouldn’t be able to afford Beats by Dre headphones, but OK…

“The Alec Baldwin Show“

10 p.m. Sundays on ABC

Verdict: Skip it

If you think “Inside the Actors Studio” is dry, stuffy and impersonal, run away very quickly from this talk show. The format is stale, there’s no audience for feedback, and Alec Baldwin acts like he’s interviewing his guests for a job interview, not a talk show.

“The Kids Are Alright“

8:30 p.m. Tuesdays on ABC

Verdict: Skip it

This 70s-set show doesn’t make Catholics look great. The semi-happy conclusion happened too fast. I have no idea what compelled someone to produce this show.

“The Rookie“

10 p.m. Tuesdays on ABC

Verdict: Watch it

Yes, this may be a procedural, but it has heart. The pilot smartly showcased a snippet of every character to develop them in an interesting way without feeling overly expository.

 

What shows are you enjoying?

Fall TV 2018: Skip it, watch it or give it another chance

I’d say fall TV season is like Christmas for TV enthusiasts, but these shows aren’t that great, so if it does feel like Christmas, it’s disappointing.

Many new broadcast shows have premiered this month, so here’s my short take on each:

(Note: I didn’t include reboots or remakes since those feel like their own category.)

“Rel“

9:30 p.m. Sundays on Fox

Verdict: Skip it

This show feels like a 90s sitcom, and not in a good way. Plus, its identity seems conflicted between the newly single dad main character’s friends and his children, who were unseen in the pilot.

“I Feel Bad“

9:30 p.m. Thursdays on NBC

Verdict: Give it another chance

While the workplace setting of this Amy-Poehler-produced sitcom is embarrassingly bad, the show has a funny, honest take on being a woman and wife in a time when we’re supposed to have everything at our disposal. It could develop into something funny.

“Manifest“

10 p.m. Mondays on NBC

Verdict: Watch it

What could have been a cheesy take on the disappearance of Malaysia Airlines Flight 370 is actually a poignant look at family, relationships, grief and faith.

“FBI“

9 p.m. Tuesdays on CBS

Verdict: Skip it

Nothing is compelling about this procedural from producer Dick Wolf. While the pilot case was timely, the outcome was predictable.

“New Amsterdam“

10 p.m. Tuesdays on NBC

Verdict: Skip it

This drama, unfortunately, feels like it has a white-savior complex that’ll just make you roll your eyes through all the disjointed storylines. And if I heard Ryan Eggold’s hospital director character say “How can I help you?” one more time during the pilot, I might have thrown something at the TV.

“Single Parents“

9:30 p.m. Wednesdays on ABC

Verdict: Skip it

This poorly conceived show filled with stereotypes gives the stars (including Leighton Meester, Brad Garrett and Taran Killam) nothing to work with, except for one scene featuring a “Moana” song. Don’t waste your time.

“A Million Little Things“

10 p.m. Wednesdays on ABC

Verdict: Skip it

ABC’s answer to “This is Us” misses the mark with unlikable characters stuck in a sad story without any uplifting spirit.

“God Friended Me“

Sundays on CBS

Verdict: Give it a chance

It’s too bad Violett Beane picked this show over playing Jesse Quick on “The Flash,” because her earnestness is the only thing that carries this cheesy show that would’ve been better executed as a movie.

“The Cool Kids“

8:30 p.m. Fridays on Fox

Verdict: Skip it

Nothing is cool about this retirement-home-set show, especially with it’s anti-female and homophobic jokes.

Bachelor franchise falls to new lows with contestants, ‘The Proposal’

The Bachelor franchise has stooped to a new low, and it’s making everyone uncomfortable.

It’s one thing to hear about contestants who say or like questionable things, it’s another thing to watch a new series that is borderline-shameful in its concept, and it’s another thing, an awful thing, to have to watch a contestant who has an assault case attached to his name date the Bachelorette.

And it’s time for a re-evaluation.

With social media tracking our every move, it’s no wonder almost every season of the Bachelor/Bachelorette dirt comes out for at least one contestant.

With a pool of 20-30 people, one is bound to have liked a post they shouldn’t have on Instagram.

It takes 0.2 seconds to like a post, and it’ll last forever because that’s how the Internet works. And some contestants have learned that lesson the hard way.

Some, of course, don’t care. Last Bachelorette season, Lee wrote some racist Tweets, but he didn’t show much remorse when confronted. But this season, Garrett seems to care a little bit about his past actions of liking offensive Instagram posts, issuing an apology before the finale airs (where he’s predicted to be a frontrunner).

Social media actions are semi-forgivable. We all grow, we all change, and it’s a tiny thing, right? And liking something seems more forgiveable than writing by a hair.

It’s uncomfortable, for sure, but not unredeemable. But a contestant who was charged with assault is not.

When the news came out about Lincoln, a current contestant on the Bachelorette, it was shocking. And truly uncomfortable.

How are we supposed to watch this guy woo Becca when we know we was convicted in an indecent assault case, especially in the #MeToo era?

I couldn’t even think this guy was genuine from the beginning He cried over a broken picture in the second episode and he thinks the earth is flat. But now I’m really over it.

But what really bothers me is how this could’ve happened? These contestants are supposed to go through some extreme background and psychological checks, but somehow this case never made it to the team?

Seems impossible.

The Bachelor needs to start vetting people better, including an extensive historical social media check, just to be prepared for what may come out and give contestants a chance to defend themselves.

And also, no more stupid spinoffs. “Bachelor in Paradise” is bad enough (though it has an interesting set of proposals and weddings), but “The Proposal” truly hit a new low.

I watched the premiere Monday, and it was probably the worst hour of watching TV ever.

 

I don’t know where they picked these people, but it was cringey. The budget clearly on the low-end, though they someone found room to be able to CGI the suitor during his intro package.

The concept of going from never meeting to proposal in one hour TV time is insane. A proposal should never be competed for, but at least on the Bachelor/Bachelorette, you get to see some relationship growth. On “The Proposal” it’s like watching a poor-man’s Miss USA that ends in a proposal, with Bachelor-franchise ring designer Neil Lane, of course.

Now that they’ve pulled the second episode of the new show because of a sexual assualt accusation, can we really trust this team anymore?

The Bachelor franchise has always been a guilty pleasure, but now I feel just guilty watching it.

Upfronts 2018: Trends for broadcast TV

Making changes but rebooting favorites…that about sums up “new” TV in 2018.

Here are 3 trends from last week’s upfronts.

Reboots galore

The reboots trend will never die at this rate.

Coming off the success of ABC‘s reboot of “Roseanne,” more are coming.

First, “Murphy Brown” returns on CBS, with Candice Bergen bringing her strong newswoman character back to the screen. It’ll air on Thursdays, after CBS hits “The Big Bang Theory” and “Mom.”

Then, there’s “Charmed,” which the CW is bringing back to life. It’ll air alongside “Supergirl” on Sundays, a night that the network hasn’t aired new shows on before.

Lastly, “Last Man Standing” is coming back, on Fox. It’ll be paired with another comedy tailored for an older audience, “The Cool Kids.”

Switcheroos

Speaking of changing networks, “Brooklyn Nine-Nine” is going to NBC after being canceled by Fox.

“Lethal Weapon” replaced lead actor Clayne Crawford after he was accused of poor onset behavior.

And with Thursday Night Football shifting from CBS to Fox, there are many schedule shifts for that network, which, for a network that is known for comedy, only has two new comedies premiering in the fall (“Rel” and the aforementioned “The Cool Kids”)

Very few new shows

With so many networks vying for viewers’ attention, it seems networks are playing it safe by airing fewer new shows and saving some for midseason, when a series premier typically means half the number of episodes.

This fall, most broadcast networks are airing only 2-4 new shows, with the exception of CBS, which boasts six new fall shows.

Midseason, which used to have fewer premieres, now seems to have a similar number of new shows (though that could change before January).

However, the reboots start in the fall, no doubt because they’ll get the viewer’s interest more easily thanks to old and new fans watching.

Spring TV 2018: Stars return to TV to mediocre shows

If you want to make a comeback, make sure you pick a good project.

Unfortunately, for 3 TV stars this season, they didn’t pick good projects.

These three stars were on shows that are iconic and still binge-watched today. I don’t think we’ll be saying the same things about their new shows.

Jenna Fischer (“The Office“) stars on ABC‘s “Splitting Up Together,” Zach Braff (“Scrubs“) stars on ABC’s “Alex, Inc.” and Josh Radnor (“How I Met Your Mother“) stars on NBC‘s “Rise.”

It’s partly how the new shows are set up. Fischer’s character trades fourth-wall-breaking narration for text messaging shown onscreen, so she had at least has a small upgrade. But Braff’s character still narrates the show in the exact manner he did on “Scrubs,” and Radnor’s character is fighting for something sometimes only he truly believes in.

As I watched these shows, all I could think was “Are we just watching these actors as if their characters grew up 10 years?”

The new shows’ characters are all older, with young kids and significant others and couples friends. And the focus is centered more on families and school than bars and workplaces.

None of these shows allow these fine actors to shine in the way they could; they’re incredibly predictable. I called every plot point in the pilot of “Splitting Up Together,” which is just a divorce rom-com on TV. Same with Alex, Inc.; it felt like “Scrubs,” with a family for a medical staff and news podcasting instead of a hospital setting. But it had a similar comedic vibe.

And then there was “Rise,” which is just “Glee” without the comedic breaks and a touch of “Friday Night Lights” small-town family drama.

I wouldn’t be surprised if these shows are on air solely because of the actors. The only commercials that didn’t prominently mention the actor’s names for these shows were for “Rise,” which is more of an ensemble show (and also features other known actors such as Auliʻi Cravalho from “Moana” and Rosie Perez).

While I was excited to see these stars return to television, and I’m sure some people will still watch these shows because of the stars, I’m just not that interested because I’ve seen better shows from these same actors.

It’s partly the curse of being a star on a popular show, of course, but I’d suggest bingeing the old shows before watching these new ones.

Award shows 2018: Do network shows have a place anymore?

At the Golden Globes this year, only one out of 11 TV award winners was a network TV show representative (Sterling K. Brown won best actor in a drama series for NBC’s “This is Us.”)

Tomorrow’s SAG Awards only have five network TV show nominations among all the categories.

Do network shows even stand a chance anymore?

Now that Netflix consistently pulls out award-winning shows, with Amazon and Hulu reaching their stride in quality shows, is it time to separate out network shows from paid services shows?

The way people watch Netflix shows vs. a show on ABC, Fox, etc. is so different. You can binge a Netflix series in a weekend, while NBC draws out one season of “This is Us” from September to April or so (but maybe that’s so we can all take a sobbing break).

Plus, Hulu and those networks have advantages network shows don’t. On a network like CBS, you can’t swear, show nudity, depict graphic violence and other things. Rules must be followed. On online networks, the rules don’t apply. Anything can happen. And it usually does.

Another big difference is network shows play to commercial breaks. They place cliffhangers and plot points in just the right spot to keep you watching. On Netflix, it seems like most original drama episodes end on cliffhangers so you’ll continue watching. And Netflix doesn’t even ask the pesky question “Are you still watching?” when it’s an original show. It can play out like one long, continuous story, and viewers soak it right up.

Network shows just can’t play the same game online networks can. So is it fair to pit them against each other in award categories?

Plenty of quality shows still exist on ABC, NBC, CBS, Fox and the CW. Should they be recognized in a different way? Or does that just further depict the difference in the TV formats?

It may be time to revisit how award shows handle TV shows.

Fall TV 2017: Try ABC’s ‘The Mayor,’ avoid CBS’ ‘9JKL’

And now we’re on a roll.

Another batch of fall TV shows have premiered, so here’s my take on each new regular series show:

‘Wisdom of the Crowd‘

8 p.m. Sundays on CBS

As much as I’d like to see this show is original, it’s not.

It’s “Bull” but with more with police and crime and less with the law. Even Michael Weatherly and Wisdom’s Jeremy Piven sport the same look in the shows. And they’re on the same network!

Jeffrey Tanner (Piven) believes everyone wants to be a part of something bigger than themselves. Very true, but it’s not as riveting to watch as one might expect, and there were two plot points that bothered me: the romance between Tanner and his associate was unnecessary, and the hacker issue was solved too quickly.

I appreciate the idea behind it, the idea that a social media network could crowdsource information to help solve crimes. It seems poignant and timely considering how many of us are on our phones 24/7.

Grade: B-

‘Ghosted‘

8:30 p.m. Sundays on Fox

Buddy comedy meets “The X-Files” in this comedy starring Adam Scott and Craig Robinson.

Fortunately for them, the dry humor works well in this sci-fi mystery comedy. Scott and Robinson play off each other while portraying an ex-professor and ex-cop both in low points of life.

Unfortunately, the supporting characters are archetypes, and since they’re the behind-the-scenes brains of the mission, we’ll probably have to deal with the overdone antics and overplayed jokes.

Grade: B

‘9JKL‘

8:30 p.m. Mondays on CBS

By the time the opening credits started, I knew this show wouldn’t be good.

After toughing it out (and I mean that literally, most jokes were awkward or painful), I can safely say this show is terrible.

Full of has-beens and B-list actors (including Elliott Gould, David Walton and Liza Lapira), the premise of a family all living next door in the same New York apartment complex came off way too-over-the-top, and not in a good way.

Grade: D+

‘The Gifted‘

9 p.m. Mondays on Fox

This drama reminds me of “Heroes.”

The pilot focused on one family fleeing after their two children reveal they’re mutants by causing chaos at a school dance.

It keeps your interest as the family goes through many hoops, but the show was cheapened by Stephen Moyer‘s character.

The “True Blood” actor plays a prosecutor specializing in mutant cases, so he’s portrayed as a good-guy-gone-rogue. At the end of the episode, (spoiler) he’s shot, as if that wasn’t expected. His character is overall unsatisfying.

Grade: B-

‘The Mayor‘

9:30 Tuesdays on ABC

This comedy threw me by surprise.

The previews made it seem so chilly, but it’s a nice, actually funny, parallel to the last election cycle. Even David Spade makes a cameo looking a bit like our current president.

Lea Michele‘s campaign manager/chief of staff character is a bit too familiar — essentially a political version of Rachel Barry, her character on “Glee“— but this show has a heart that I’m interested in seeing more of.

Grade: A-

‘Kevin (Probably) Saves the World‘

10 p.m. Tuesdays on ABC

Kevin last of the righteous, but he’s not a good person.

Maybe Kevin, played by Jason Ritter with the right mix of confusion, lazy and heart, will learn with the help from Yvette (Kimberly Hebert Gregory), a gift from God who gave up paradise for Kevin.

The casting of JoAnna Garcia Swisher as Kevin’s Amy sister is off — they don’t look anything alike — but this movie-like show has potential.

Grade: B

Fall TV 2017: ‘Young Sheldon’ adorable, skip ‘SEAL Team’

Fall TV is finally here!

Usually a round of shows premiere in the beginning/middle of September, but this year, the only show that’s premiered before the latter half of the month was Fox‘s “The Orville.”

That show, created by and starring Seth MacFarlane, isn’t sure what type of show it wants to be. The pilot had a crazy mix of romantic comedy, science fiction and thriller. It was uneven and predictable. I’m not sure TV was the right medium for it.

But now that we’ve finally hit the first week of new shows, here is my short take on each new regular series show:

‘Star Trek: Discovery‘

8:30 p.m. Sundays streaming on CBS All Access

To boost the CBS version of Hulu, “Star Trek: Discovery” premiered Sunday on CBS. Episode 2 was available during the broadcast.

The sci-fi show definitely has a movie feel to it, including a long thematic opener.

I was definitely out of the loop since I have little knowledge of the world of Star Trek, but it kept my attention.

Compared to “The Orville,” this is true sci-fi. And I can appreciate that there are women in leadership on this show.

Grade: B+

‘Young Sheldon‘

8:30 p.m. Thursdays on CBS

While this show will regularly air starting in November, the spinoff of “The Big Bang Theory” had a special premiere.

This comedy is filled with BBT easter eggs, including a perfect opener with Jim Parsons narrating while a train went around.

The casting of young Sheldon and his mother was perfect (Zoe Perry, the daughter of Laurie Metcalf, who plays Mrs. Cooper in the original, plays her in this show, and she carries a spot-on accent and demeanor). The only casting that bothered me was Sheldon’s dad, only because he played a character on “The Big Bang Theory.”

For BBT fans, this show is not a letdown. For non-BBT fans, it’s still a pretty adorable show.

Grade: A-

‘Me, Myself and I‘

9:30 p.m. Mondays on CBS

Starring Bobby Moynihan, this show focuses on one person in three phases of his life: middle school after his mom gets remarried, post-divorce and raising a daughter, and a just-retired man who just had a heart attack and is figuring out what’s next.

It’s an interesting concept, but very disjointed, even with the small-world moments between the generations.

In one of the last moments, two of the generations crossed over. Not sure if there will be more, but I thought it played well.

Grade: B-

‘The Brave‘

10 p.m. Mondays on NBC

Remember Anne Heche? It seems like she pops up on TV shows every year or so, and here she stars in a drama about of team of government officials trying to protect Americans.

From what I can tell, the team will be the focus, and there will be a new story/mission each week.

But what was supposed to be a nailbiter turned out pretty dull. As we learn more about the team, I expect to care more about the characters, but that wasn’t the case in the pilot.

Grade: C+

‘The Good Doctor‘

10 p.m. Mondays on ABC

The pilot of this medical drama surrounds an interview for Dr. Shaun Murphy, a potential new surgical resident at a hospital. Oh, and Murphy (played by Freddie Highmore, who still looks so young even after his run in the sinister “Bates Motel“) is autistic, so his appointment is controversial.

While I think it’s great to show the challenges and misperceptions of the autism, as well as having the chance to discuss autism in a new way, the show seems unrealistic.

In flashbacks, it’s revealed that Murphy and his brother ran away after their father killed a pet bunny, but his brother also dies at a young age. So how the heck did Murphy go to school, especially medical school?

With other drama that’s sure to pan out in the show, I’m not sure we’ll find out.

Also, similarities abound between Murphy and Sheldon on “The Big Bang Theory,” and it was distracting.

Grade: B

‘SEAL Team‘

9 p.m. Wednesdays on CBS

This pilot had an eerily similar plot to “The Brave,” including the third-act twist. And it wasn’t well done.

Between poor audio (it’s like some actors were sick or not mic’ed properly for most of it), shaky camera work (which may have been a director’s choice, but it was hard to tell), and bad acting, it was tough to watch.

The drama focused mostly on the SEAL team, even though ads for the show mentioned that SEAL members have two families. I don’t know what the plan is, but it’s uninteresting.

David Boreanaz (“Bones“) should’ve waited another year before returning to TV; maybe he could’ve gotten a better show.

Grade: C-

What new shows are you enjoying?