Tag: NBC

Fall TV 2024: Broadcast shows are lackluster

The rest of the fall shows have premiered, but I’m not overly impressed.

Joan

Miniseries on the CW

There is way too much going on in the pilot of this show, but it’s only six episodes, so that’s by design I guess.

It’s so dark…literally. The crime thriller is so muted in greens and blacks, it’s almost muddy.

Unless you love the 80s, England, or Sophie Turner, don’t waste your time.

Skip it

George and Mandy’s first marriage

8:30 p.m. Thursdays on CBS

The tango intro for this spinoff sitcom is so ridiculous, and it has literally nothing to do with the show.

It falls a tad flat, and while it feels very 90s, which is the time period, there’s nothing new.

Skip it

Happy’s Place

8 p.m. Fridays on NBC

I didn’t watch “Reba,” but it feels a little bit of a rehash slightly updated for 2024. It does have two of that series’ cast members.

This sitcom feels a little feel “Cheers,” but with more family drama and ethnicities.

It’s kinda funny, but with it airing on Fridays, I’m not holding my breath.

Try it

Poppa’s house

8:30 p.m. Mondays on CBS

There are two pretty distinct storylines, and in a 30-minute show, neither is served well.

Again it falls flat, which is a bummer with two Wayans family members on screen. You’ll probably recognize a lot of other cast members but have zero idea why.

This sitcom is so old school, they put bloopers at the end.

Skip it

St. Denis Medical

8 p.m. Tuesdays on NBC

This new sitcom with lots of heavy hitters is “Abbott Elementary” in a hospital.

I get people like “Parks and Recreation” and such, but this, unfortunately, falls flat, even with all the talented comedians.

Skip it

Fall TV 2024: Watch ‘Matlock,’ Skip Fox shows

Fall TV is back! Too bad the fall weather isn’t quite yet…

We’ve got a new batch of new shows, so here’s my latest edition of skip, watch or try.

Universal Basic Guys

8:30 p.m. Sundays on Fox

As part of Fox’s animation domination, this show fits right in.

I just can’t decide if it knows it’s ridiculous or just terrible.

Three minutes in, I was disgusted. It’s all irrelevant dumb “humor” that’s full of misogyny and anti-PC language. And the accents are terrible.

Skip it

High Potential

10 p.m. Tuesdays on ABC

This series has a great cast and a good concept, focusing on a smart woman who is a tad flippant as she navigates being a police crime consultant.

It is still a procedural but with some spunk.

My biggest complaint is the music is cliche and overpowering.

Try it

Matlock

9 p.m. Thursdays on CBS (starting Oct. 10)

Kathy Bates is so good. That’s what you need to know.

While this legal drama doesn’t seem much like the original (it’s a gender swap even), the pilot took its shots at the name and generational divide of those who know the original show and today’s young adults.

The twist in the pilot, involving a crime mystery, got me very interested.

Watch it

Rescue hi surf

9 p.m. Mondays on Fox

This hacky drama is “Baywatch” meets “Grey’s Anatomy” or “Fire Country” with surfers.

It’s nothing special, and it’s hard to imagine it’ll get interesting.

Skip it

Brilliant Minds

10 p.m. Mondays on NBC

If you miss “The Good Doctor,” this could be the replacement for you.

The medical drama focuses on what is alluded to as a cool, rebellious doctor (he has a motorcycle) played by Zachary Quinto. While he is the show’s focus, he falls a bit flat.

Greg Berlanti and Andy Serkis are among the 21 producers, but the show wasn’t marketed well. Quinto’s character has face blindness, and it’s a tough concept to grasp quickly.

They are trying for something different than just a medical show, but it still comes off a little too hokey.

Skip it

Murder in a small town

9 p.m. Tuesdays on Fox

A guy moves back home, becomes the police chief, and starts dating a librarian. Oh, and there are crimes to be solved.

That’s about it for this Canadian crossover crime procedural.

The show felt like it could’ve been a movie, especially with the longer-than-a-hour pilot, and it wasn’t interesting enough to press on.

Skip it

Doctor Odyssey

9 p.m. Thursdays on ABC

Joshua Jackson has aged quite well. But his newly appointed cruise ship doctor character is a bit flawed. Not quite antihero, but flawed.

Don Johnson and Phillipa Soo are also part of the cast, along with some other famous faces, and COVID is part of the pilot’s plot.

I give them credit; they worked on four patients in the pilot, which seems pretty fast-paced. It’s fun and frothy, but it might have been better to air in the summer.

Try it

I may be adding some of these shows to my weekly list, along with “The Golden Bachelorette.” What can I say, it’s so cute!

Winter TV 2023 includes a lot of procedurals

I know crime shows are popular on broadcast TV, but this winter includes more procedurals than usual, and it’s a bit boring.

Here are my thoughts on new scripted TV shows:

That 90s show

All episodes streaming on Netflix

This reboot is one of the better ones, but it still has flaws.

The references to the old show and the 1990s are spot-on, along with the casting of Kelso’s kid.

But the kids’ ages are off in more ways than one, and frankly, they are not the best part of the show. Debra Jo Rupp and Kurtwood Smith own it.

Try it

Will Trent

10 p.m. Tuesdays on ABC

This show really needed a better name. The police procedural features a lot of actors returning to TV.

You’re dropped right into the action in the pilot, but you’ll quickly find out there’s a lot of emotional baggage. It was a bit complicated to follow, and the pilot focuses on the wrong plot points (for example, the dog plot is useless).

I’d rather watch Daniel Craig’s Benoit Blanc, the better version of this character.

Skip it

Alert Missing Persons Unit

9 p.m. Mondays on Fox

On the flip side, this show had a lot of setup, which feels necessary for this crime procedural.

You’ve probably seen the actors before, too, so it makes sense they’re on network TV.

But the pilot’s end twist was so predictable; I’m pretty sure I’ve seen it on TV before.

Skip it

Night Court

8 p.m. Tuesdays on NBC

This is another reboot (verified via the opening credits sequence) starring Melissa Rauch and John Larouquette, who reprises his role from the original sitcom.

Rauch plays the new night court judge, stepping in her dad’s shoes. In real life, the original actor died, so this is a nice tribute.

There are other callbacks to the original without being confusing to new viewers.

It’s going for the emotional heart, but it’s still fairly predictable and not overly funny.

Try it (with caution)

Accused

9 p.m. Sundays on Fox

This anthology show started with an episode that seriously creeped me out.

This drama is based on an award-winning British show. Each episode focuses on a different story in a courtroom.

It’s a great way to get bigger-name actors into your show for one episode.

I found the first episode, focusing on a father and son, the latter of whom seems to have psychiatric issues, really freaked me out. It was terrifying to watch to unfold between the events leading up and the courtroom.

Try it (with caution)

Fall TV 2022: CW finally adds more new shows

We’re rounding out the new fall broadcast shows, but nothing will make you run for the couch.

The Winchesters

8 p.m. Tuesdays on the CW

Look, I didn’t watch “Supernatural,” so this prequel series may be a little lost on me.

But the CW knows its brand, and this show fits right in with demons, magic, chasing and more.

The pilot is a little bumpy as it tries to explain a lot in 43 minutes, but I’m guessing it’ll keep course over time.

Try it (with caution)

Criss Angel’s Magic with the Stars

8 p.m. Saturdays on the CW

I doubt this competition show will last since it’s airing on Saturday nights, but good for Criss Angel for getting a TV deal?

But he looks so bored, and the other two judges are uninterested for the most part as well.

It’s another boring, repetitive competition show, just with magic.

Skip it

Lopez vs. Lopez

8 p.m. Fridays on NBC

George Lopez is back on TV…he’s aged a bit, but the jokes are the same.

This hacky comedy is like taking “The George Lopez Show” with 2020s generational differences and jokes, racial conflicts, and way better lighting. They even makes nods to the original theme song.

It’s simple and predictable, but there are some laughable moments (most were in the previews though).

Skip it

Winter TV 2022: As drab as the weather

In the cold of winter, we’d hope TV could provide some comfort.

This season, not so much.

Here’s a quick summary of the new broadcast shows in 2022.

The Cleaning Lady

9 p.m. Mondays on Fox

In Las Vegas, two sisters are trying to make ends meet by cleaning. What path will they take to secure help for their kids?

They’re both undocumented, but the main character is called an illegal at one point, which doesn’t seem like a good look, especially since there’s also a lot of back alley business going on in this drama. Not to mention an insinuation that the FBI is following them.

It’s based on an Argentine series, but I’m not sure the show has anything good or helpful to say.

Skip it

Pivoting

9:30 p.m. Thursdays on Fox

Eliza Coupe, Gennifer Goodwin and Maggie Q star in this half-hour dramedy, which starts off with the vibe of “A Million Little Things” and “First Wives Club.”

I laughed a bit, but the emotional heart of this story, centering around three friends who pivot (get it?) after their friend dies, is a little forced. The three actresses deserve better, but maybe it’ll pick up a bit.

Besides, if anything is relatable, it’s a character trying desperately to fit into her skinny jeans…though in today’s world that’s probably because we’ve worked from home for two years, not just because.

On a funny note, I hope Dave, one of the woman’s husbands, never actually appears, like Vera on “Cheers” or Maris on “Frasier.”

Try it (with caution)

Naomi

9 p.m. Tuesdays on the CW

The CW should really just rebrand as SuperheroTV. In yet another superhero drama, a girl named Naomi is an adopted high school student who runs a Superman blog.

Her adoptive parents and the townspeople may be hiding the truth about who she is and what her capabilities are, but the pilot telegraphs she has some power…once she takes her glasses off.

The special effects are pretty blah for a new show, but I give them credit for putting a Black female hero on the screen.

Skip it (unless superhero shows are your thing)

American Auto

8 p.m. Tuesdays on NBC

The pilot for this comedy is so expositional, it’s hard to believe any of it is realistic. It makes no sense that the company would still be surviving after a CEO with zero automotive experience comes in and the executives unveil a new car concept that’s made up in six hours.

Sure, there’s only one white American guy in the main cast, but he’s a complete (choose your swear word here), and the actor is basically playing the same role he did on “Superstore” but with arrogance instead of stupidity.

Skip it

Grand Crew

8:30 p.m. Tuesdays on NBC

So two roommates, a married couple, and a brother and sister all hang out together at a wine bar…sound familiar? This comedy is basically “Friends” set in LA.

Everyone feels a little too caricatured, and the narrator concept is overdone, tedious and pointless.

The pilot only sets up the series, and it takes the full episode to do so. I wish this show was better given its cast, which includes Nicole Byer.

Skip it

That’s my Jam

9 p.m. Mondays on NBC

This “new” game show is just “Hollywood Game Night” but with mostly music-focused games, no regular-people contestants and Jimmy Fallon as host.

It’s so silly and not in a fun, hate-watch kind of way.

Can we bring back “Hollywood Game Night”?

Skip it

Abbott elementary

9 p.m. Tuesdays on ABC

This comedy/mockumentary is just “The Office” in an elementary school setting.

It can be a funny take on real issues schools and teachers are facing, but that might be oft-putting for some, especially teachers who have really gone through a lot the last two years.

A romance is heavy-handedly foreshadowed, which is probably unnecessary for plot but necessary for a broadcast show.

Try it (with caution)

Good Sam

10 p.m. Wednesdays on CBS

This drama has a bit of a “Scrubs,” but with family instead of friends, in it.

Sophia Bush holds the show, and the pilot does a good job of setting up the show without being all exposition.

It’s still a medical procedural, a concept we already have enough of. There is one plot point that seems a bit too soap opera for my taste, but we’ll see where it goes.

Try it (with caution)

What shows are you enjoying this season?

Fall TV 2021: Reboots and more

For the first time in a while, I’m cautiously optimistic about fall TV’s new shows.

It’s not that I think these broadcast shows will win Emmys (let’s be real, broadcast doesn’t really make a play at awards these days), but there are some compelling storylines.

The Big Leap

9 p.m. Mondays on Fox

You know how “UnReal” was a dramatic, behind-the-scenes look of “The Bachelor”? “The Big Leap” is basically that but for “So You Think You Can Dance.”

“The Big Leap” is the show within the show that a hotshot producer, who has problems of his own, is trying to make. Everyone is supposed to get a second chance through the show, and we’ve got three storylines to prove it.

It’s probably one too many on top of the producer (Is he good or bad? It’s unclear from the pilot.) and the judges/coaches, one of whom is Billy Porter-esque and the other is some British villainess type.

Try it with caution

Ordinary Joe

10 p.m. Mondays on NBC

Like NBC’s soon-to-be-ending show, “This Is Us,” “Ordinary Joe” has multiple timelines. The difference? It’s alternate timelines based on one man’s choice at his college graduation. Each timeline has a different color palette to help distinguish them since it’s the same actors but with very different outcomes.

I assume it’s an acting challenge for the core cast to play a slightly different character across the timelines, but it’s hard to root for Joe when his character is just different enough in each timeline.

Plus, I have two major flaws to point out from the pilot: 1. You can’t have an outdoor concert during a hailstorm, and 2. not that many people come to a school reunion, especially for someone Joe’s age (30s).

Skip it

Our Kind of People

9 p.m. Tuesdays on Fox

You may recognize some people in this soapy drama (even Olivia Pope’s dad plays a role). Yaya DaCosta is owning her role, and she’s a delight to watch.

Everyone in this Martha’s Vineyard town has a secret, so it could be interesting to see how it’ll play out since we know secrets don’t stay that way. Unfortunately, most of the characters are unlikeable, so it’s hard to root for them.

What confused me is this show is clearly set in summertime, so why didn’t Fox air it during the summer months?

Try it with caution

Alter Ego

9 p.m. Wednesdays on Fox

This competition show is “The Voice” plus “The Masked Singer.” Each contestant performs as a motion capture, AI alter ego avatar, so the judges don’t see them, only their movements through the avatar.

Unfortunately for the contestants, you don’t get a recording contract (they win $100,000), and the celebrity judges are way more interested in the technology than the contestants.

Skip it

La Brea

9 p.m. Tuesdays on NBC

This show had me on the edge of my seat.

A sinkhole decimates La Brea, an area of L.A., but the people who fell in aren’t dead … at least, for now. The question of where and when they are now is to be determined. Hopefully, it’s determined quickly, since they may not survive the extinct animals that also exist in this land.

The pilot does a great job setting up the two dynamic worlds as the military and a father tries to figure out what happened and if they can reach the people who fell in.

Try it

The wonder years

8:30 p.m. Wednesdays on ABC

There is so much nostalgia in this reboot, but I’m here for it.

The pilot takes place on the day Martin Luther King Jr. was assassinated, but the show balances touching on history without overdoing it.

The cast equally performs to bring the charm of the original, and with Fred Savage as an executive producer, I think this reboot could be more fun (and better) than others.

Try it

Fall TV 2018: Skip it, watch it or give it another chance

I’d say fall TV season is like Christmas for TV enthusiasts, but these shows aren’t that great, so if it does feel like Christmas, it’s disappointing.

Many new broadcast shows have premiered this month, so here’s my short take on each:

(Note: I didn’t include reboots or remakes since those feel like their own category.)

“Rel“

9:30 p.m. Sundays on Fox

Verdict: Skip it

This show feels like a 90s sitcom, and not in a good way. Plus, its identity seems conflicted between the newly single dad main character’s friends and his children, who were unseen in the pilot.

“I Feel Bad“

9:30 p.m. Thursdays on NBC

Verdict: Give it another chance

While the workplace setting of this Amy-Poehler-produced sitcom is embarrassingly bad, the show has a funny, honest take on being a woman and wife in a time when we’re supposed to have everything at our disposal. It could develop into something funny.

“Manifest“

10 p.m. Mondays on NBC

Verdict: Watch it

What could have been a cheesy take on the disappearance of Malaysia Airlines Flight 370 is actually a poignant look at family, relationships, grief and faith.

“FBI“

9 p.m. Tuesdays on CBS

Verdict: Skip it

Nothing is compelling about this procedural from producer Dick Wolf. While the pilot case was timely, the outcome was predictable.

“New Amsterdam“

10 p.m. Tuesdays on NBC

Verdict: Skip it

This drama, unfortunately, feels like it has a white-savior complex that’ll just make you roll your eyes through all the disjointed storylines. And if I heard Ryan Eggold’s hospital director character say “How can I help you?” one more time during the pilot, I might have thrown something at the TV.

“Single Parents“

9:30 p.m. Wednesdays on ABC

Verdict: Skip it

This poorly conceived show filled with stereotypes gives the stars (including Leighton Meester, Brad Garrett and Taran Killam) nothing to work with, except for one scene featuring a “Moana” song. Don’t waste your time.

“A Million Little Things“

10 p.m. Wednesdays on ABC

Verdict: Skip it

ABC’s answer to “This is Us” misses the mark with unlikable characters stuck in a sad story without any uplifting spirit.

“God Friended Me“

Sundays on CBS

Verdict: Give it a chance

It’s too bad Violett Beane picked this show over playing Jesse Quick on “The Flash,” because her earnestness is the only thing that carries this cheesy show that would’ve been better executed as a movie.

“The Cool Kids“

8:30 p.m. Fridays on Fox

Verdict: Skip it

Nothing is cool about this retirement-home-set show, especially with it’s anti-female and homophobic jokes.

My summer of binge-watching and catching up

Summer is the slow season for TV.

So what’s a TV blogger to do? Catch up and binge-watch. #ThanksNetflix

Here are some of the shows I’ve binged this summer, along with my binge, savor or skip verdict:

Parenthood

I’ve always heard people talk about this show — how sad it was, how poignant it was, how underrated it was.

So when I was in the mood for some sad TV to get some tears out, I started watching.

But I barely cried. I didn’t think it was that sad. But season 4, when Kristina (Monica Potter) goes through breast cancer treatment, got me. I was tearing up almost every episode.

Overall though, it seemed pretty average. I found some of the characters extremely annoying and unbearable to watch, but I still rooted for the Braverman family to stick together.

Verdict: Skip it

Episodes

While this Showtime show ran for 5 seasons, it’s only 41 episodes, so I watched the whole series in 2 days.

While I enjoyed watching Matt LeBlanc play a bit of a douchebag, a mix of real-life debauchery and Joey’s womanizing ways, it seemed like some plots were irrelevant.

Seasons 3 and 4 just plotted along without much punch; I couldn’t tell you most of the main plot points. Season 5 wraps up everything nicely, but almost too nicely.

Verdict: Binge it

Grace & Frankie

This is one of those shows that I missed when it came out, and then felt like I couldn’t catch up. Summer was the perfect time to catch up.

Jane Fonda and Lily Tomlin really work as two women struggling to pick up the pieces after their marriages end, and then thrive in their 70s.

It’s pretty inspiring to watch these two thrive, even when they’re bickering with each other. And I find myself laughing almost every episode.

I don’t really need some of the secondary stories, such as Grace’s daughter’s divorce and Lisa Kudrow‘s appearance as a widow looking to get her house back from her stepkids (that 3-episode arc was just a major “Friends” fan service if you ask me).

At 13 30-minute episodes each season, they are easy to speed through, but now I’m bummed I don’t have new episodes to watch.

Verdict: Savor it

GLOW

Season 2 of this Netflix show holds up. I may say it’s better than season 1 because it has a more ensemble focus.

Yes, it’s a bit campy; it is a show about female wrestling in the 80s. But it also touches on women’s rights and sexual harassment in a subtle way.

Ruth’s (Allison Brie) meeting with a studio head and Debbie’s (Betty Gilpin) reaction to Ruth not sleeping with the exec resonates in the #MeToo era. It broke my heart to see a character act so nonchalant about a heinous act of power.

Verdict: Savor or binge it

Queer Eye

I saved the best for last. I’m obsessed along with numerous others.

I’ve fallen in love with the Fab Five. They seem like a fun, honest bunch of guys, and they seem to have a genuine interest in helping the heroes, the name they give the real people they help each episode.

I watched season 1 in May and season 2 the day it came out. I’ve already seen both seasons twice, and don’t be surprised if I start re-watching it once I finish this blog.

Verdict: Binge it (over and over)

Bonus

Because I’ve already seen “Queer Eye,” I may do a workout during my next watch through, following these guidelines:

Intro music: 30-second wallsit
Transition slide (day 1, etc.): 5 burpees
Fab Five on-camera interview: 10 situps
Antoni is delighted/disgusted by food: 10 lunges (per side)
Jonathan says YAS/queen/girl/honey: 5 pushups
Tan gives fashion advice: 20 jumping jacks
Karamo has a heart-to-heart with a hero: 10 tricep dips
Bobby says “this space”: 10 bicycles (per side)
Crying: 10 bridges
Swearing: 10 squats
Hugs/Kisses: 10 mountain climbers
The Reveal: 30-second football run
“They’ll feel better about themselves”: 10 Russian twists
Something gets thrown out: 30-second plank

Now that’s some quality TV watching.

Upfronts 2018: Trends for broadcast TV

Making changes but rebooting favorites…that about sums up “new” TV in 2018.

Here are 3 trends from last week’s upfronts.

Reboots galore

The reboots trend will never die at this rate.

Coming off the success of ABC‘s reboot of “Roseanne,” more are coming.

First, “Murphy Brown” returns on CBS, with Candice Bergen bringing her strong newswoman character back to the screen. It’ll air on Thursdays, after CBS hits “The Big Bang Theory” and “Mom.”

Then, there’s “Charmed,” which the CW is bringing back to life. It’ll air alongside “Supergirl” on Sundays, a night that the network hasn’t aired new shows on before.

Lastly, “Last Man Standing” is coming back, on Fox. It’ll be paired with another comedy tailored for an older audience, “The Cool Kids.”

Switcheroos

Speaking of changing networks, “Brooklyn Nine-Nine” is going to NBC after being canceled by Fox.

“Lethal Weapon” replaced lead actor Clayne Crawford after he was accused of poor onset behavior.

And with Thursday Night Football shifting from CBS to Fox, there are many schedule shifts for that network, which, for a network that is known for comedy, only has two new comedies premiering in the fall (“Rel” and the aforementioned “The Cool Kids”)

Very few new shows

With so many networks vying for viewers’ attention, it seems networks are playing it safe by airing fewer new shows and saving some for midseason, when a series premier typically means half the number of episodes.

This fall, most broadcast networks are airing only 2-4 new shows, with the exception of CBS, which boasts six new fall shows.

Midseason, which used to have fewer premieres, now seems to have a similar number of new shows (though that could change before January).

However, the reboots start in the fall, no doubt because they’ll get the viewer’s interest more easily thanks to old and new fans watching.

Spring TV 2018: Stars return to TV to mediocre shows

If you want to make a comeback, make sure you pick a good project.

Unfortunately, for 3 TV stars this season, they didn’t pick good projects.

These three stars were on shows that are iconic and still binge-watched today. I don’t think we’ll be saying the same things about their new shows.

Jenna Fischer (“The Office“) stars on ABC‘s “Splitting Up Together,” Zach Braff (“Scrubs“) stars on ABC’s “Alex, Inc.” and Josh Radnor (“How I Met Your Mother“) stars on NBC‘s “Rise.”

It’s partly how the new shows are set up. Fischer’s character trades fourth-wall-breaking narration for text messaging shown onscreen, so she had at least has a small upgrade. But Braff’s character still narrates the show in the exact manner he did on “Scrubs,” and Radnor’s character is fighting for something sometimes only he truly believes in.

As I watched these shows, all I could think was “Are we just watching these actors as if their characters grew up 10 years?”

The new shows’ characters are all older, with young kids and significant others and couples friends. And the focus is centered more on families and school than bars and workplaces.

None of these shows allow these fine actors to shine in the way they could; they’re incredibly predictable. I called every plot point in the pilot of “Splitting Up Together,” which is just a divorce rom-com on TV. Same with Alex, Inc.; it felt like “Scrubs,” with a family for a medical staff and news podcasting instead of a hospital setting. But it had a similar comedic vibe.

And then there was “Rise,” which is just “Glee” without the comedic breaks and a touch of “Friday Night Lights” small-town family drama.

I wouldn’t be surprised if these shows are on air solely because of the actors. The only commercials that didn’t prominently mention the actor’s names for these shows were for “Rise,” which is more of an ensemble show (and also features other known actors such as Auliʻi Cravalho from “Moana” and Rosie Perez).

While I was excited to see these stars return to television, and I’m sure some people will still watch these shows because of the stars, I’m just not that interested because I’ve seen better shows from these same actors.

It’s partly the curse of being a star on a popular show, of course, but I’d suggest bingeing the old shows before watching these new ones.