Author: Clara Bush

Clara Bush is a grammar nerd, social media specialist, and couch potato. She'll curl up with Netflix and a homemade dessert any day.

History on TV: Examining ‘When We Rise’ and ‘Shots Fired’

Some shows take us to magical worlds…or at least away from reality. But not these two.

ABC’s “When We Rise” and Fox’s “Shots Fired” take a tough look at relevant issues: gay rights, women’s rights, police ethics and racism.

“When We Rise” is a miniseries based on an unpublished manuscript and starred Mary-Louise Parker and Guy Pearce, among others.

Looking back on history starting in the 1960s, each episode was 2 hours (with commercials), and it aired for four nights over the course of a week.

“Shots Fired” mentions Ferguson, but it’s a black cop who shoots a white teen— and everyone is trying to figure out what happened.

The only super big name star in this 10-part series is Helen Hunt; it airs at 8 p.m. Wednesdays.

The two shows are similar in structure — and ratings.

“When We Rise” ratings dropped each night, and the Dustin Lance Black-produced mini-series wasn’t deemed a success.

“Shots Fired” isn’t doing well in ratings either.

My question is: Why?

Maybe airing 2-hour arcs four nights in one week is too much. Perhaps 8 p.m. Wednesdays is too full of good options.

Or is it because we don’t want to face the reality that these issues exist?

It’s not easy to watch. But in this day and age, the fact is this does still exist. Rips of racism and homophobia still prevail throughout the United States.

Especially, after the election, could it be these shows are too close to reality?

TV and movies for some are an escape from the world. It’s why I enjoy musicals and Disney and not war movies.

But now, especially after a vicious election cycle, is it time to put that aside to relearn some history or see it from another angle?

Black wanted to show another side of the story. The duo behind “Shots Fired” wanted to challenge perspectives.

Is it worth stepping out of the comfort zone and learning something new? What do you think?

James Corden joins late-night talk show circuit with ‘The Late Late Show’

This blog was originally published on elkharttruth.com on March 24, 2015.

Sometimes the only thing decent to watch late at night is a talk show.

But it’ll take a little more time for James Corden, the newest late-night host, to be up to par with Jimmy Fallon and Jimmy Kimmel.

Corden replaced Craig Ferguson, who left “The Late Late Show” after almost 10 years, and started his hosting stint Monday night, March 23. Well, technically, Tuesday, March 24, since it was after midnight.

After a lot of thanking and one choke-up about his parents, Corden poked fun at himself and the idea that no one in the U.S. really knows him and the fact that he’s never been a host.

Basing his first sketch on “Charlie and the Chocolate Factory,” with hints of other movies such as “Whiplash,” Corden got his golden ticket and tips from Meryl Streep, Arnold Schwarzenegger, Shia LaBeouf, Allison Janney and, of course, Jay Leno. Because who else?

Honestly, the bit felt like a ploy to get as many celebrities on the show as possible to boost ratings. And after Corden picked up the chocolate bar with the golden ticket that Chelsea Handler dropped, I couldn’t help but wish she wouldn’t have dropped it … even though the bit was fake.

Kudos for getting Simon Cowell to be the greedy celebrity seemingly desperate for a new gig, though.

Corden continued his run of stellar celebrity guests by having Mila Kunis and Tom Hanks be his first interviewees.

The British actor’s interviewing skills could use some work — he talked too much about himself, he struggled to include both celebrities in the interviews (why they did two interview sets together wasn’t clear to me), and he seemed nervous.

He’ll probably improve over time, but it wasn’t enjoyable to watch his first night.

What was fun was an homage to Hanks’ films. It allowed the men to show off their acting chops.

Most people don’t know Corden yet — he’s best known for playing the baker in “Into the Woods” alongside Emily Blunt, but in time, I hope he’ll improve. He has good improv and singing skills, but his interviewing, a key component of late night talk shows, could use some work.

“The Late Late Show with James Corden” airs on CBS at 12:35 a.m. weekdays, after “The Late Show with David Letterman.”

Winter/Spring TV 2017: Time, law common themes this season

The new shows keep rolling in.
It seems that more and more networks are constantly airing new shows.
Here’s the latest crop of show reviews, based on the pilot. I also watched “FEUD” thanks to a preview pass on FX’s website, and as much as I’d like to continue watching it, I don’t want to pay another site. So I’m eagerly waiting for it to come to Netflix. The acting is superb, and its take on aging women in the industry is so relevant.
9 p.m. Sundays on ABC
The 2016-2017 TV season is the year for shows about time travel. In this drama, Freddie Stroma (“UnREAL“) plays H.G. Wells, and Josh Bowman (“Revenge“) plays Jack the Ripper.
The two travel from 1893 to present day, and they both navigate the (disappointingly to Wells) distopia that is today’s world (which included references to ISIS and Trump).
A bit of romance with a museum curator and Wells blossomed, and the end was a cliffhanger twist related to time travel.
It’s all a bit cliche, and there’s not really any concern for how traveling in time could affect the past and future (like “The Flash“).
If you want a show about history and time travel, I think “Timeless” is the better option.
Grade: B

“MAKING HISTORY“

8:30 p.m. Sundays on Fox

For real, these time-travel shows may have seemed ingenious, but they all somehow premiered at same time, which makes them seem less inventive and a lot more repetitive. It’s unfortunate.

This version of the time-travel concept is a comedy that’s infused with pop culture references such as Celine Dion, Starbucks and more.

Starring Adam Pally and Leighton Meester, Pally’s character Dan messes up the Revolutionary War during one of his weekend-1700-travel trips.

Minus all the pop culture references, it’s a pretty predictable show. It probably would’ve been better had it been a new concept like it probably planned to be.

Grade: B-

‘CHICAGO JUSTICE’

9 p.m. Sundays on NBC

Out of so many reboots and spinoffs, this one hit pretty middle of the road.

It felt like I was dropped into this Chicago world without any prior knowledge, so I felt a bit lost. Characters from its other shows came into play, but it faded away to its own show fairly quickly.

Unfortunately, its own show is standard to other courtroom shows. But a few characters popped in briefly, and it may be interesting to see them appear again on the drama.

Grade: B

‘TRIAL & ERROR’

9 p.m. Tuesdays on NBC

It wouldn’t be unwelcome to have a show poking fun and making light of lawyers and courtrooms…unless most of it is in poor taste.

This documentary-style show is the bad courtroom version of shows like “The Office” and “Parks and Recreation.”

Breaking the fourth wall isn’t new. Plotting “gotcha” twists isn’t either. This comedy isn’t worth your time.

Grade: D+

What shows are you enjoying?

Stephen Colbert is no David Letterman

This blog was originally published on elkharttruth.com on Sept. 9, 2015.

Can a Comedy Central guy hack it on CBS?

After watching only one episode, I’d have to say … no.

CBS’ “The Late Show with Stephen Colbert” premiered Tuesday night, and Colbert brought his brand of satirical humor to late-night TV.

I get the feeling people will either love or hate this new talk show, based on how they feel about Colbert and his previous show, “The Colbert Report.”

Colbert has an ego; there’s no doubt about it. Unlike James Corden, his CBS late-night counterpart, he’s not humble or gracious about his new gig.

He almost seemed to be poking fun at his job, even making a joke about how he had nine months to make one hour of TV.

The episode felt like a news show, which is not what the show was when David Letterman hosted. That might have had something to do with his first-night guests, actor and activist George Clooney and presidential candidate Jeb Bush.

Late-night talk shows are supposed to be entertaining, but all the political talk may be too polarizing for viewers.

I’m not sure Colbert has broad appeal, and I definitely think there were better options to replace Letterman.

But Colbert did have some funny moments.

There was a bit about Trump and Oreos which was funny for a bit, but like some of his other jokes, it ran too long.

At least Colbert admitted early in the show that you can’t replace Letterman. Because Colbert can’t.

Not right now, anyway. It’s an adjustment, and viewers will have to wait and see how Colbert molds into his new gig.

But I probably won’t be watching.

What do you think of “The Late Show with Stephen Colbert”?

In support of TV’s supporting characters: Why ‘Manhattan Love Story’ and ‘A to Z’ were doomed TV shows

This blog was originally published on elkharttruth.com on Dec. 28, 2014.

After watching all the new fall TV shows and then seeing a lot of comedies, I came to a conclusion:

If the supporting characters on a TV show are less than desirable, not even good leads can save it.

Cases in point: “A to Z” and “Manhattan Love Story.”

These two comedies were among the first of the 2014 season to be axed (Though “A to Z” is still airing new episodes, production will most likely not continue). And I was not too surprised.

I thought the leads for the shows were endearing. But their friends on the shows were awful.

The lead actress in “Manhattan Love Story” roomed with her college friend and her husband.

And boy, were they obnoxious. The college friend, Amy, was always talking like she knew everything, with a whiny voice, might I add. And her husband, David, was just stupid and loud.

Same sort of problem in “A to Z.” Cristin Milioti (“How I Met Your Mother”) and Ben Feldman (“Mad Men,” “Drop Dead Diva”), the leads, were quirky and entertaining.

But both characters had best friends who were archetypes. The girl friend was desperate for love and the guy friend was a player.

It’s 2014, almost 2015. TV viewers are smart — they are beyond watching stereotyped characters. It’s boring, uninteresting and a waste of time.

Not every show can be an ensemble show like “Friends” or “Modern Family,” where every character has enough of a story line each episode to give them purpose.

But shows should not have useless characters that only add frustration instead of enjoyment to a TV program.

Think “Breaking Bad” or “The Big Bang Theory.” Those shows have obvious lead and supporting actors. But you’re invested in every character no matter how many minutes they are on your TV screen.

A smart show needs smart characters. And only smart shows will survive.

I get that comedies are hard to write because it’s difficult to be funny. But it can be done. And we don’t need to bog down with dramas. We need to laugh, too.

Winter TV 2017: Another spinoff, another movie reboot

Violence and behind-the-scenes crime-solving seems to be a trend this winter TV season.

Two of these three shows make you think about what strangers may know about you…and one has already seen better days.

Here are my reviews, based on the pilot only.

 

‘THE BLACKLIST: REDEMPTION’

10 p.m. Thursdays on NBC

This spinoff focuses on a set of characters whom all appeared on the original “Blacklist,” but it’s not necessary to know the original to understand this show.

It might help with backstories, but a new mystery fuels this drama.

The show is a little run-of-the-mill, with the usual elements of technology, crime, backstabbing…but there is a twist of family and betrayal that may hook some viewers.

Grade: B-

 

‘DOUBT’

10 p.m. Wednesdays on CBS

I thought this show somhow managed to make law interesting, but I may be alone in that sentiment.

Despite a cast of heavy-hitters( Judith Light, Katherine Heigl, Laverne Cox Elliott Gould and Dule Hill), the CBS show has already been pulled from the schedule.

Centered around the concept of “beyond reasonable doubt,” I appreciated the high stakes without being over the top.

The love story wasn’t necessary, but there were some interesting relationships.

Grade: B

 

‘TAKEN’

10 p.m. Mondays on NBC

This NBC drama barely resembles the original 2008 movie with Liam Neeson.

Yes, the main character wants to protect his family, but (spoiler alert) his sister dies within the first five minutes, unlike in the movie when the lead saves his daughter.

I don’t think the show is as interesting as the movie; it doesn’t have the heart or pace.

Grade: B-

 

What’s your favorite new TV show?

Colbert, Letterman: Late-night talk show shuffleboard

This blog was originally published on elkharttruth.com on May 4, 2014.

Jimmy Fallon. Seth Meyers. Jimmy Kimmel. Conan O’Brien. Chelsea Handler.

All of these people are late-night talk show hosts.

Anyone else notice they are all men, except for Handler? And her late-night show isn’t even on a big network. It’s on E! And it’s only half an hour.

On April 3, David Letterman (who, in case you didn’t know, is a Ball State alumnus) announced he would retire from the late-night talk show circuit in 2015.

On April 10, it was announced that Stephen Colbert would replace Letterman.

Really? Why?

I personally find Colbert a bit intolerable. I don’t enjoy his show, and it really annoys me when people call it a news show. It’s news satire.

And what about Craig Ferguson? You would think the person who has a talk show after Letterman’s would be next in line.

To me, it wasn’t a surprise when Ferguson announced his departure from CBS on April 28.

And what about women in late night?

There are plenty of women in the talk show world. But most are featured during the day, and many of them are in groups (Ex: The View, The Talk).

A woman could easily hold her own on a talk show. Rachael Ray does it. Ellen DeGeneres does it. Handler does it.

And, in case anyone forgot, Oprah did it with flair. Her show had heart, but it tackled tough issues, too.

Woman like talking, so what’s holding major networks from throwing a woman in the late-night ring? Is it too risky?

If it is, it’s 2014, so get over it.

According to news reports, Ferguson’s departure had been in the works for some time. But since he doesn’t step down till December, I say it’s time to give a woman a chance.

Valentine’s Day 2015: 5 TV episodes celebrating the holiday

This blog was originally published on elkharttruth.com on Feb. 10, 2015.

Love is in the air. Or not.

Whether you’re single and ready to mingle or hopelessly in love, here are five Valentine’s Day-themed TV episodes you can enjoy.

Desperation Day: “How I Met Your Mother,” season 6

Oh, Barney. Always searching for what’s easy.

Barney refuses to have a Valentine’s Day date, but that doesn’t mean he can’t find a “victim” on Desperation Day, aka Feb. 13.

Lily struggles to get Marshall to care about their relationship after the death of his father. In the end, he pulls through for his Lilypad.

My Funky Valentine: “Modern Family,” season 1

Phil and Claire aren’t always the most adventurous, so to mix things up, they create fake personas.

But things go awry when Claire’s overcoat gets stuck in the escalator, and everyone, including her father, sees.

The One with the Candy Hearts: “Friends,” season 1

In a lot of moments of this beloved show, Ross can’t seem to catch in break.

In this episode, he ends up on a date at the same restaurant as Carol and Susan, his (first) ex-wife and her partner. Awkward.

Chandler ends up on a blind date with Janice, the woman he can’t seem to shake off. Also awkward.

Phoebe, Monica and Rachel burn mementos of ex-boyfriends. Not awkward, just super funny.

First Date: “That ’70s Show,” season 1

After a bit of back and forth, it seems like Donna and Eric will finally get together.

But this is TV, so of course, there’s a hitch. And his name is Hyde.

It’s an episode featuring young love and the nervousness that comes with it.

Silly Love Songs: “Glee,” season 2

Back when “Glee” was still good, this episode featured the right amount of cheesiness, heartbreak and sappy songs.

Puck tries to woo a girl by singing “Fat Bottomed Girls,” and we get to see Artie and Mike channel Michael Jackson with “P.Y.T.”

The episode will leave you saying, “Awww.”

Winter TV 2017: ’24: Legacy’ feels stale, ‘Superior Donuts’ could do better

The new shows keep coming this winter TV season.

Unfortunately, they aren’t all good. Here are my latest reviews of the winter TV season, after watching only the pilot:

 

‘24: LEGACY’

8 p.m. Mondays on Fox

“24” may have been an exciting show, but without Jack Bauer (Kiefer Sutherland is starring in ABC‘s “Designated Survivor“), “24: Legacy” seems dated.

This reboot/spinoff follows the same real-time, hour-by-hour drama, but you don’t have to have watched any of the original to understand this show.

The plot revolves around terrorism and back-door knowledge, but it’s not as exciting as it might sound.

Grade: B-

 

‘APB’

9 p.m. Mondays on Fox

How technology can change our world seems to be a trend in TV shows this season, and with “APB,” it’s technology meets the police force.

Celebrity billionaire Gideon (Justin Kirk) wants to avenge his friend’s death, so he convinces the mayor of Chicago (Nestor Serrano) to let him buy a whole police district to make it better.

He creates an app to help bring efficiency to the force, but the character doesn’t have much of a heart yet. He comes off as a bored man who knows money talks…and the mayor isn’t happy about having Gideon messing with the system.

Grade: B

 

‘POWERLESS’

8:30 p.m. Thursdays on NBC

For a show about superheroes, this one is super boring.

The first TV comedy about superheroes is over-the-top cheesy, and predictable without any sort of high stakes.

All the material should be there. So should the acting, with Vanessa Hudgens, Danny Pudi and Alan Tudyk all starring.

But wow was I uninterested. They need the real Bruce Wayne, but I doubt even that would help.

Grade: C-

 

‘SUPERIOR DONUTS’ 

9 p.m. Mondays on CBS

I didn’t laugh once during this new CBS comedy.

For a half-hour show, they covered a lot of issues: race, police, gentrification, terrorism. But none of it was done well.

Sure there were some touching moments, but it was predictable and slow.

This show may be Jermaine Fowler‘s brand, but it didn’t work on CBS.

Grade: C

 

‘TRAINING DAY’

10 p.m. Thursdays on CBS

If you want to see yet another movie reboot, here you go.

This drama is based on a 2001 movie starring Denzel Washington, but this iteration stars Bill Paxton.

It reminded me a bit of “Rush Hour” without the comedy.

It focuses on undercover police/detective work, but the real reason for going undercover is a little to-be-determined.

I can’t say I’ve seen the movie, but I bet it’s better.

Grade: B-

 

What are your favorites?

‘Rush Hour’: Movie chemistry better than CBS TV show

This blog was originally published on elkharttruth.com on April 12, 2016.

Another movie takes a turn to the TV screen.

“Rush Hour” the TV show premiered March 31, more than 15 years after the first movie in the series premiered.

And while the show isn’t bad, it’s not as good as the movie.

Both are advertised as a comedy, but the TV show has more drama edge and doesn’t have the kitsch of the movie.

The pilot of CBS’ “Rush Hour” is mostly a play-by-play of the movie. One big difference is the relationships. In the movie, Hong Kong detective Lee comes to America to protect a consul’s daughter, but in the TV show, he comes to figure out what’s happened to his sister, Kim, who was thought to be dead but actually has joined a group who kills people.

Other relationship differences are at LA cop Carter’s work. I love that a woman (Wendie Malick, “Hot in Cleveland”) is in charge instead of another white male in the TV show. I wish there was a woman out in the field, but hey, it’s a start.

And in the movie, Carter flirts with a woman who works with bombs and has more of a desk job. But on the show, Carter is friends with a woman who used to be his partner (Aimee Garcia, “The George Lopez Show”), but he covered for her when she wanted to move to a desk job for her kid’s sake. I’m guessing that relationship will go somewhere romantically as the series progresses.

The chemistry isn’t quite there between Justin Hires and Jon Foo, the stars of the CBS show. In the original movie, Carter (Chris Tucker) and Lee (Jackie Chan) get into a groove of working together. They poke fun at each other while solving problems.

Hires and Foo have this bossy, who’s-better-than-who vibe that’s not as enjoyable to watch. I thought that would subside after the pilot, but it hasn’t so far.

Chan and Tucker had natural chemistry, playing off each other’s comedic chops. It worked in the movie, which also included jokes and music/dance bits (“War,” anyone?).

In both versions of “Rush Hour,” the Hong Kong detective took some time to adjust — not speaking English right away, etc. But in the TV show, Lee/Foo plays it straight, but it’s so mechanical that it doesn’t come off funny.

CBS’ “Rush Hour” lacks the playful vibe of the movie, which makes the cheesiness of the martial arts extra sounds/slow motion takes seem extra silly. In time, that might change, but I’m not sure I have high hopes for it. Stick to the movie.

“Rush Hour” airs at 10 p.m. Thursdays on CBS.