Tag: CW

Winter TV 2022: As drab as the weather

In the cold of winter, we’d hope TV could provide some comfort.

This season, not so much.

Here’s a quick summary of the new broadcast shows in 2022.

The Cleaning Lady

9 p.m. Mondays on Fox

In Las Vegas, two sisters are trying to make ends meet by cleaning. What path will they take to secure help for their kids?

They’re both undocumented, but the main character is called an illegal at one point, which doesn’t seem like a good look, especially since there’s also a lot of back alley business going on in this drama. Not to mention an insinuation that the FBI is following them.

It’s based on an Argentine series, but I’m not sure the show has anything good or helpful to say.

Skip it

Pivoting

9:30 p.m. Thursdays on Fox

Eliza Coupe, Gennifer Goodwin and Maggie Q star in this half-hour dramedy, which starts off with the vibe of “A Million Little Things” and “First Wives Club.”

I laughed a bit, but the emotional heart of this story, centering around three friends who pivot (get it?) after their friend dies, is a little forced. The three actresses deserve better, but maybe it’ll pick up a bit.

Besides, if anything is relatable, it’s a character trying desperately to fit into her skinny jeans…though in today’s world that’s probably because we’ve worked from home for two years, not just because.

On a funny note, I hope Dave, one of the woman’s husbands, never actually appears, like Vera on “Cheers” or Maris on “Frasier.”

Try it (with caution)

Naomi

9 p.m. Tuesdays on the CW

The CW should really just rebrand as SuperheroTV. In yet another superhero drama, a girl named Naomi is an adopted high school student who runs a Superman blog.

Her adoptive parents and the townspeople may be hiding the truth about who she is and what her capabilities are, but the pilot telegraphs she has some power…once she takes her glasses off.

The special effects are pretty blah for a new show, but I give them credit for putting a Black female hero on the screen.

Skip it (unless superhero shows are your thing)

American Auto

8 p.m. Tuesdays on NBC

The pilot for this comedy is so expositional, it’s hard to believe any of it is realistic. It makes no sense that the company would still be surviving after a CEO with zero automotive experience comes in and the executives unveil a new car concept that’s made up in six hours.

Sure, there’s only one white American guy in the main cast, but he’s a complete (choose your swear word here), and the actor is basically playing the same role he did on “Superstore” but with arrogance instead of stupidity.

Skip it

Grand Crew

8:30 p.m. Tuesdays on NBC

So two roommates, a married couple, and a brother and sister all hang out together at a wine bar…sound familiar? This comedy is basically “Friends” set in LA.

Everyone feels a little too caricatured, and the narrator concept is overdone, tedious and pointless.

The pilot only sets up the series, and it takes the full episode to do so. I wish this show was better given its cast, which includes Nicole Byer.

Skip it

That’s my Jam

9 p.m. Mondays on NBC

This “new” game show is just “Hollywood Game Night” but with mostly music-focused games, no regular-people contestants and Jimmy Fallon as host.

It’s so silly and not in a fun, hate-watch kind of way.

Can we bring back “Hollywood Game Night”?

Skip it

Abbott elementary

9 p.m. Tuesdays on ABC

This comedy/mockumentary is just “The Office” in an elementary school setting.

It can be a funny take on real issues schools and teachers are facing, but that might be oft-putting for some, especially teachers who have really gone through a lot the last two years.

A romance is heavy-handedly foreshadowed, which is probably unnecessary for plot but necessary for a broadcast show.

Try it (with caution)

Good Sam

10 p.m. Wednesdays on CBS

This drama has a bit of a “Scrubs,” but with family instead of friends, in it.

Sophia Bush holds the show, and the pilot does a good job of setting up the show without being all exposition.

It’s still a medical procedural, a concept we already have enough of. There is one plot point that seems a bit too soap opera for my taste, but we’ll see where it goes.

Try it (with caution)

What shows are you enjoying this season?

Winter TV 2021: February brings silly shows

I could say cold weather brings warm shows…but I wouldn’t say that’s accurate.

Here’s the latest quick takes of new broadcast TV shows.

equalizer

8 p.m. Sundays on CBS

Like most movies to TV, the pilot of this drama covers the plot of the entire movie, but it left the door open for how the show will grow into a slightly more interesting procedural.

There are some nice updates from the movie, mostly with technology and how it can be used for good or evil.

Queen Latifah brings warmth and character to the show. She’s the reason to watch.

Try it

Clarice

10 p.m. Thursdays on CBS

Did we need a TV sequel of “Silence of the Lambs”? No. We did not. But here it is, as a procedural.

Also, if you know the premise, you shouldn’t be surprised that it’s a bit gross for a broadcast show.

Skip it

Young Rock

8 p.m. Thursdays on NBC

The first episode was called “Working the Gimmick”…and boy did they. At least they were upfront?

It’s such a silly premise, and the Rock’s story could’ve easily been a TV special or a movie, not a cheesy 80s-set episodic comedy.

As a note, Andre the Giant makes an appearance, and it’s unsettling to see another actor play him, even if they do a decent job to show his large size.

Skip it

Kenan

8:30 p.m. Tuesdays on NBC

This comedy is basically “Full House” but with some “SNL” flair.

Kenan, a longtime SNL cast member, plays a single dad who hosts a talk show (which feels a lot like Weekend Update meets any daytime talk show from the 90s). There’s not much to it; it feels caricature instead of heartfelt.

How they got Don Johnson to star in this show as Kenan’s father-in-law is beyond my understanding.

Skip it

Superman & Lois

9 p.m. Tuesdays on the CW

Greg Berlanti can keep signing those CW paychecks.

This show mixes cheesy superhero theatrics and family/teen drama, which at times is also cheesy.

It’s nothing new, but it fits right in with CW.

Try it

Fall TV 2019: ‘Nancy Drew,’ ‘Almost Family’ disappointing

Broadcast TV really isn’t what it used to be.

Here are my quick takes on the lastest new fall TV shows (spoiler, it’s not great):

Kids say the darndest things

8 p.m. Sundays on ABC

You’d think this show would be cute, but it feels stale and even Tiffany Haddish can’t fully save it.

Proceed with caution

Almost family

9 p.m. Wednesdays on Fox

This dramedy seemed heartwarming, but the premise is so disgusting it ruined the potential sweet moments.

Skip it

Batwoman

8 p.m. Sundays on the CW

While the next in the CW superhero show in the lineup is formulaic, the pilot ends on a shocking (to me) twist that could make future episodes enjoyable.

Proceed with caution

Nancy Drew

9 p.m. Wednesdays on the CW

This show, based on the book series, is basically “Riverdale” but with a true mystery focus…and bad acting.

Skip it

Let’s hope the cable/streaming new shows are better (I’ll be checking out “The Politician” soon)

Fall TV 2018 Round 2: Skip it, watch it or give it another chance

I can’t believe I’m bored with new TV.

The new crop of shows is mediocre at best.

Here’s my short take on the latest new shows:

(Note: I didn’t include reboots or remakes since those feel like their own category.)

“The Neighborhood“

8 p.m. Mondays on CBS

Verdict: Give it a chance

This comedy has the potential to become a show that has laughs and good lessons about race and relationships. If not, it’s just a show where Schmidt (Max Greenfield, playing a dad whose family moves to a black neighborhood) smiles way too much.

“Happy Together“

8:30 p.m. Mondays on CBS

Verdict: Give it a chance

While the premise is completely ridiculous (a celebrity moves in with his accountant and his wife), this comedy has some laughs, especially with the cast’s physical comedy.

“All American“

9 p.m. Wednesdays on the CW

Verdict: Skip it

This drama is “Friday Night Lights” meets “The Blind Side” meets a soap opera (the pilot’s cliffhanger ending was so obvious). Also, pretty sure the main character wouldn’t be able to afford Beats by Dre headphones, but OK…

“The Alec Baldwin Show“

10 p.m. Sundays on ABC

Verdict: Skip it

If you think “Inside the Actors Studio” is dry, stuffy and impersonal, run away very quickly from this talk show. The format is stale, there’s no audience for feedback, and Alec Baldwin acts like he’s interviewing his guests for a job interview, not a talk show.

“The Kids Are Alright“

8:30 p.m. Tuesdays on ABC

Verdict: Skip it

This 70s-set show doesn’t make Catholics look great. The semi-happy conclusion happened too fast. I have no idea what compelled someone to produce this show.

“The Rookie“

10 p.m. Tuesdays on ABC

Verdict: Watch it

Yes, this may be a procedural, but it has heart. The pilot smartly showcased a snippet of every character to develop them in an interesting way without feeling overly expository.

What shows are you enjoying?

Upfronts 2018: Trends for broadcast TV

Making changes but rebooting favorites…that about sums up “new” TV in 2018.

Here are 3 trends from last week’s upfronts.

Reboots galore

The reboots trend will never die at this rate.

Coming off the success of ABC‘s reboot of “Roseanne,” more are coming.

First, “Murphy Brown” returns on CBS, with Candice Bergen bringing her strong newswoman character back to the screen. It’ll air on Thursdays, after CBS hits “The Big Bang Theory” and “Mom.”

Then, there’s “Charmed,” which the CW is bringing back to life. It’ll air alongside “Supergirl” on Sundays, a night that the network hasn’t aired new shows on before.

Lastly, “Last Man Standing” is coming back, on Fox. It’ll be paired with another comedy tailored for an older audience, “The Cool Kids.”

Switcheroos

Speaking of changing networks, “Brooklyn Nine-Nine” is going to NBC after being canceled by Fox.

“Lethal Weapon” replaced lead actor Clayne Crawford after he was accused of poor onset behavior.

And with Thursday Night Football shifting from CBS to Fox, there are many schedule shifts for that network, which, for a network that is known for comedy, only has two new comedies premiering in the fall (“Rel” and the aforementioned “The Cool Kids”)

Very few new shows

With so many networks vying for viewers’ attention, it seems networks are playing it safe by airing fewer new shows and saving some for midseason, when a series premier typically means half the number of episodes.

This fall, most broadcast networks are airing only 2-4 new shows, with the exception of CBS, which boasts six new fall shows.

Midseason, which used to have fewer premieres, now seems to have a similar number of new shows (though that could change before January).

However, the reboots start in the fall, no doubt because they’ll get the viewer’s interest more easily thanks to old and new fans watching.

Award shows 2018: Do network shows have a place anymore?

At the Golden Globes this year, only one out of 11 TV award winners was a network TV show representative (Sterling K. Brown won best actor in a drama series for NBC’s “This is Us.”)

Tomorrow’s SAG Awards only have five network TV show nominations among all the categories.

Do network shows even stand a chance anymore?

Now that Netflix consistently pulls out award-winning shows, with Amazon and Hulu reaching their stride in quality shows, is it time to separate out network shows from paid services shows?

The way people watch Netflix shows vs. a show on ABC, Fox, etc. is so different. You can binge a Netflix series in a weekend, while NBC draws out one season of “This is Us” from September to April or so (but maybe that’s so we can all take a sobbing break).

Plus, Hulu and those networks have advantages network shows don’t. On a network like CBS, you can’t swear, show nudity, depict graphic violence and other things. Rules must be followed. On online networks, the rules don’t apply. Anything can happen. And it usually does.

Another big difference is network shows play to commercial breaks. They place cliffhangers and plot points in just the right spot to keep you watching. On Netflix, it seems like most original drama episodes end on cliffhangers so you’ll continue watching. And Netflix doesn’t even ask the pesky question “Are you still watching?” when it’s an original show. It can play out like one long, continuous story, and viewers soak it right up.

Network shows just can’t play the same game online networks can. So is it fair to pit them against each other in award categories?

Plenty of quality shows still exist on ABC, NBC, CBS, Fox and the CW. Should they be recognized in a different way? Or does that just further depict the difference in the TV formats?

It may be time to revisit how award shows handle TV shows.

Fall TV 2017: Two CW shows premier

The CW has joined the new TV game.

While many other new network shows have appeared, the CW is now airing its new shows.

Here’s my take on them:

‘Valor‘

9 p.m. Mondays on the CW

Another military special operations show make its debut.

Other ones are better.

The balance on this show is off. The lead is a female who has to work hard to keep her higher-ranking position. While it’s nice that they’re not focused too much on the woman-in-the-military idea, sometimes they overdo it with how she’s not “qualified.”

There are also two relationship storylines that I’m already over. It’s not needed, but I’m sure it was part of the show because of the network it’s on.

Grade: B-

‘Dynasty‘

9 p.m. Wednesdays on the CW

This remake is the perfect kind of soap. It’s filled with beautiful people wearing impeccable clothes and donning perfect makeup. And all those people have dirty secrets shrouded in sexual chemistry.

It’s a bit updated from the original (the setting is different, there are gay characters), but it in no way feels stale.

This drama could definitely be your next fun guilty pleasure.

Grade: A-

What are your new favorite shows?

Upfronts 2017: 3 takeaways for upcoming TV season

The sun may be out, but I’m more excited to stay in and watch these new shows.

Networks hosted upfronts presentations over the last week, presenting all their new shows and lineups for the fall and midseason.

Here are three takeaways:

‘American Idol’ is back…on ABC

Apparently the singing reality shows aren’t dead yet.

It’s been only one year since “American Idol” went off the air, but it’s being revived on a new network after a reported bidding war among multiple networks.

This move is beyond me, because “AI” had been dwindling in popularity for years, with more focus on the judges than the winners.

If it can go back to its Kelly Clarkson and Carrie Underwood days, great. Katy Perry was the first judge announced, and I can see her vibing with the other judges and singers. Simon Cowell will not be returning, however. He declined, plus he judges NBC‘s “America’s Got Talent.”

CW owns superhero shows

Does Greg Berlanti ever sleep? Or does he live at the CW office?

Berlanti produces multiple shows for the broadcast network, including all of the superhero shows.

CW will gain yet another superhero show in “Black Lightning.” The new action drama will not be part of the Arrowverse, so crossover episodes won’t extend to five.

But still, that’s a lot of superheroes on one network.

Reboots galore

“Roseanne.” “Dynasty.” “Will & Grace.”

After so-called success of “Fuller House” and “Gilmore Girls,” networks are clamoring for that nostalgia glory. I don’t either reboot was that successful, but I get the capture-the-old mentality (even if I also think it’s super risky).

I didn’t watch “Roseanne,” “Dynasty” or “Will & Grace” in their time, so I’m a bit behind. I’m hoping they’ll be on Netflix this summer.

Also, here are 3 new shows I’m excited to watch this fall:

“Young Sheldon” (CBS): I can’t deny my love for “The Big Bang Theory,” so count me excited for this prequel about your favorite physicist during his childhood.
“The Good Doctor” (ABC): I’m nervous how this show will handle itself since it focuses on a character with autism, but I think it could be a great conversation starter. My suggestion? Take notes from “Speechless.” Also, after his run on “Bates Motel,” I’m ready to see more Freddie Highmore on TV.
“Alex, Inc.” (ABC): If this show is three-quarters of what Zach Braff‘s other TV show, “Scrubs,” was in its early seasons, I’ll be happy.

Golden Globes 2015: Some surprises in TV nominations

This blog was originally published on elkharttruth.com on Jan. 6, 2015. The 2017 Golden Globes air Sunday, Jan. 8, on NBC.

If you’ve heard any buzz about a TV show, there’s a good chance it was nominated for a Golden Globe.

The Golden Globe nominations were announced Dec. 11, and most of the obvious choices were present.

The Emmy winners weren’t much of a shock, and with this list of nominees, it’s doubtful the Golden Globes, hosted for a third time by Tina Fey and Amy Poehler, will be much different.

That said, there are some surprises, such as:

CW IS ON THE LIST … BECAUSE OF ‘JANE THE VIRGIN’

Blah, blah, blah, Gina Rodriguez is a star. I’m so sick of hearing that — it’s such a broken record.

Yes, she’s talented. But I still don’t get why the show is so beloved. The premise for “Jane the Virgin” is absurd, reading more like a soap opera/crime procedural than the next “Ugly Betty.”

“The Flash” is a much better show and its effects are worth an award.

Also of note is the fact that it’s the first time the CW has been in the nominations.

‘THE BIG BANG THEORY,’ ‘MODERN FAMILY’ OUT

Nominated year after year, these two sitcoms are out of the running, as a show and for the actors.

“Modern Family” won a record-tying fifth Emmy in 2014. All of the adult leads have been nominated for an Emmy, and Eric Stonestreet and Sofia Vergara have Golden Globe nominations. Jim Parsons won a Golden Globe for playing Sheldon Cooper on “The Big Bang Theory” in 2011 and has won four Emmys for the role.

I’m not saying they have to be nominated, or that they deserve to be, but it’s a surprise not to see them on the list.

TATIANA MASLANY CAN’T CATCH A BREAK

I don’t know what it will take for Tatiana Maslany to get any award nominations, but she plays how many characters on “Orphan Black”?

With all those personalities, she should be honored.

The Golden Globes air Sunday, Jan. 11, on NBC. My early predictions? Look for “Transparent,” “The Affair” and “Fargo” to be big winners.

New Year’s 2017: 3 wishes for the new year

New Year’s resolutions may not happen, but I can hope these wishes come true, right?

As we usher in 2017, here are my wishes for TV.

No more crossovers

This might be an unpopular opinion, but these two-, three-, and now four-part crossover episodes are too much.

With the success of The CW‘s superhero shows, I get the marketing behind combining all the shows over a week, with each individual show airing a new episode. But when they started these with “The Flash” and “Arrow,” it wasn’t entirely necessary to watch both shows to keep up.

But the recent 4-part crossover between “The Flash,” “Arrow,” “Supergirl” and “DC’s Legends of Tomorrow” ended that. I didn’t watch the “Supergirl” part. But “The Flash’s” part ended on a cliffhanger, so then I had to watch “Arrow.” And then “Legends of Tomorrow” finished the saga.

That’s a lot of time to spend on one “event.” And I watch only “The Flash” regularly.

Even though they show what’s happened, it’s still confusing. I felt lost keeping up with some of the story lines because I didn’t know the characters. But I’d be confused not watching the episode of “The Flash” because I might miss stuff.

It shouldn’t be a requirement to watch four shows to fully understand one week of programming. It’s like being an outsider on a show you don’t watch…except you do.

Keep shows available online for at least a month

I made a similar plea for this last year, but I still wish for it.

With Hulu for only subscribers now, it’s more difficult to keep up with weekly TV. It’s doable since networks post content on the websites, but some networks still make you wait eight days unless you verify a cable provider.

But most networks give you only two weeks to watch a show. During midseason breaks, you might get the chance to catch up, but it’s not a guarantee.

We all need time to catch up, even with our favorite shows. So give us a break. Especially in a binge-watching culture, some people would rather watch a few episodes at a time instead of week-to-week.

CBS All Access is the next up and coming thing, especially with “The Good Wife” spinoff “The Good Fight” coming exclusively to it in 2017 (though the first episode will air Feb. 19 on CBS), I’m guessing it won’t be long before TV show won’t ever be free online, but I don’t want to subscribe to multiple TV streaming services.

end the revival trend

“Fuller House.” “Gilmore Girls: A Year in the Life.” “The Exorcist.”

So many shows and movies are rebooted, revived, etc. And yes, it’s great nostalgia. But I’m done.

“The Exorcist” was creepy but predictable. “Fuller House” isn’t that good of a show. “Gilmore Girls” filled a need to hear the final four words…and then sent fans into a tizzy over what’s next.

Sometimes it’s better to just let a show end in its time and be good, instead of filling an empty void in our hearts.

What do you want for TV in 2017?