Award shows 2018: Do network shows have a place anymore?

At the Golden Globes this year, only one out of 11 TV award winners was a network TV show representative (Sterling K. Brown won best actor in a drama series for NBC’s “This is Us.”)

Tomorrow’s SAG Awards only have five network TV show nominations among all the categories.

Do network shows even stand a chance anymore?

Now that Netflix consistently pulls out award-winning shows, with Amazon and Hulu reaching their stride in quality shows, is it time to separate out network shows from paid services shows?

The way people watch Netflix shows vs. a show on ABC, Fox, etc. is so different. You can binge a Netflix series in a weekend, while NBC draws out one season of “This is Us” from September to April or so (but maybe that’s so we can all take a sobbing break).

Plus, Hulu and those networks have advantages network shows don’t. On a network like CBS, you can’t swear, show nudity, depict graphic violence and other things. Rules must be followed. On online networks, the rules don’t apply. Anything can happen. And it usually does.

Another big difference is network shows play to commercial breaks. They place cliffhangers and plot points in just the right spot to keep you watching. On Netflix, it seems like most original drama episodes end on cliffhangers so you’ll continue watching. And Netflix doesn’t even ask the pesky question “Are you still watching?” when it’s an original show. It can play out like one long, continuous story, and viewers soak it right up.

Network shows just can’t play the same game online networks can. So is it fair to pit them against each other in award categories?

Plenty of quality shows still exist on ABC, NBC, CBS, Fox and the CW. Should they be recognized in a different way? Or does that just further depict the difference in the TV formats?

It may be time to revisit how award shows handle TV shows.

It’s time to update our family comedies

Modern Family” paved the way on TV, but it’s time to move on.

Modern Family” is airing its ninth season this year, with the tenth season already promised (though that may be the end of the run). All the original kids are in college now, or at least adults. Overall, the comedy has lost its spark. Yes, there’s growth, but it’s the same rag-tag group of humans trying to make life work with semi-similar storylines.

It’s not that funny anymore, either. Sure there’s an occasional chuckle, but the laugh-out-loud jokes are gone.

When it premiered, “Modern Family” was filled with promise. And it’s had great moments. It didn’t when 5 Emmys for best comedy (in a row, by the way), though it hasn’t won best comedy since 2014.

The TV landscape has changed, and “Modern Family” isn’t the only show focused on a so-called modern family anymore.

On ABC alone, the same network on which “Modern Family” airs, you’ve got “blackish” and “Fresh Off the Boat,” which yes, show some amount of traditional family structure, but also showcase other culture in a positive way.

Then there’s “Transparent.” “Grace and Frankie.” Even “Mom” and “This is Us” in some ways. TV now portrays all different types of families…many types of sexualities, races, cultures…we’re getting to a great time when you can see way more than white people on TV, and it’s not all stereotypes.

We just need to keep moving. (AKA not another “The New Normal,” a terrible show that did more harm than good.)

It’s time to show what America looks like now, not 20 years ago. Let’s talk more about families who deal with cyberbullying, foster care, adoption and gender transition. Let’s talk about families who are struggling with the economy, land rights, hate crimes, police brutality, civil rights…you name it, it’s happening in our country.

And let’s show what American looks like in a true yet entertaining way. “Modern Family” gracefully showcases different families in a way that doesn’t shove issues down the viewers’ throats, but rather simply shows it’s a normal part of life in today’s world.

In a TV world where we got “Mad Men,” “Breaking Bad” and even “Scream Queens” (while campy, it was at least different), let’s continue to show progression on the small screen.

Fall TV 2016: Watch ‘This is Us,’ ‘Notorious,’ skip ‘Kevin Can Wait’

Fall TV is back in full force.

In case you’ve missed some of the new shows of 2016, here are some short reviews of shows that have premiered:

8:30 p.m. Mondays on CBS

Kevin James returns to TV, but “The King of Queens” star’s new comedy isn’t worth your time.

James is a writer and a producer on the show, but the plot is run-of-the-mill.

James plays a police officer preparing for retirement, but his plans change when his daughter comes home with a nerdy fiance and the announcement that she’s going back to diner work to support her fiance’s app development.

It’s nothing we have seen before on other family comedies, and it’s not funny.

Grade: C+

THE GOOD PLACE

8:30 p.m. Thursdays on NBC

Ted Danson (“Cheers,” “CSI”) and Kristen Bell (“Frozen,” “House of Lies”) unite for this original comedy.

Eleanor (Bell) lands in “the good place,” and her neighborhood is the first Michael (Danson) has designed. The good place is supposed to be full of harmony, eternal happiness and frozen yogurt…until Eleanor shows up.

Turns out she shouldn’t be there; there’s been a mixup. She’s not good at all, and her soulmate (yes, everyone has one at the good place) is the only one who knows.

While Bell is a fantastic physical comedian, the bit about how she can’t swear got old pretty fast. But with all the punishments the neighborhood might endure and some other quirky characters, it’s worth watching.

Grade: B

BULL

9 p.m. Tuesdays on CBS

The facts are not enough in court cases. With social media, technology and a little psychology, many factors contribute to proving the truth.

That’s the idea behind this drama, based on the early career of Dr. Phill McGraw.

Bull, played by Michael Weatherly (“NCIS”), is a psychologist who is hired as a “jury consultant.” He helps win cases by setting up a mirror jury to see what others are thinking, as well as using social media and more to find other sides of the story.

The pilot wasn’t clear if the featured will continue throughout the series or if a new one comes each week.

It’s more than just another courtroom drama, but not much more.

Grade: B-

THIS IS US

10 p.m. Tuesdays on NBC

According to Wikipedia, you share a birthday with 18 million people, even though it’s unlikely you’ll have a connection with them.

The pilot of this show follows four people who are all turning 36.

The show follows a struggling actor, a women desperately trying to lose weight, a corporate man who finds his birth father, and a man (Milo Ventimiglia, “Gilmore Girls“) whose wife is about to have triplets.

It seems like a lot at first. While I’m still not sure all the storylines will stay strong enough, by then end of the pilot it makes sense. (I won’t spoil it for those who haven’t watched it.)

But I’ll keep watching. It’s the first new show during which I laughed and cried.

Grade: A-

LETHAL WEAPON

8 p.m. Wednesdays on Fox

Hey, look, another movie to TV show…

Murtaugh and Riggs are both coming back from something difficult, and they both were at the top of their game in the police force.

Riggs is a bit of an outlaw, and he’s OK with dying after his wife and unborn child die in a car accident. Murtaugh (Damon Wayans) is returning after surgery and wants to be there for his wife and kids. It’s a buddy comedy that resembles the movie in some ways.

The crime drama makes light of suicide in my opinion, but fans of the movie will most likely enjoy the show.

Grade: B

SPEECHLESS

8:30 p.m. Wednesdays on ABC

Now here’s a family comedy with heart.

Minnie Driver plays a semi-aggressive mom who always has a purpose: her family, specifically her son.

Her oldest son has cerebral palsy, though I only know that because the show’s description mentioned it. The pilot never explicitly states what he has, which I appreciate. To help give him a “voice,” she’s moved her family six times in two years.

The comedy talks about discrimination, human dignity and taking care of every family member in a progressive way that’ll still make you laugh.

Grade: A

DESIGNATED SURVIVOR

10 p.m. Wednesdays on ABC

In case of any attack, one cabinet member is not present during the State of the Union. He’s deemed the “designated survivor.”

And in this ABC drama, that designated survivor (Kiefer Sutherland) becomes the president.

According to the Washington Post, the designated survivor is a real thing, which makes the show all the more interesting – and scary – to watch.

Viewers see Tom Kirkman, an academic who was about to be shuffled out of his Secretary of Housing and Development position (one White House staffer calls him a”glorified real estate agent”) into an ambassador role, assume one of the highest stakes jobs in the world.

Fortunately the previews gave away only the first 15 minutes, so there was still plenty of plot to watch unfold in the pilot.

A few other storylines peeked out in the pilot, but Sutherland is the key to the show.

Grade: B+

NOTORIOUS

9 p.m. Thursdays on ABC

This is one of those who-do-you-trust shows. But in a setting of cable news, it works so well.

Julia (Piper Perabo) is a producer of the No. 1 cable news show, Louise Herrick Live, who’s not afraid to stand up for herself. Jake (Daniel Sunjata) is a high-powered attorney who sometimes lets emotions seep into his work. They use each other to manipulate the public and make people look sympathetic. And they never lie to each other…for now.

I’m guessing it’s inevitable that the pair will get involved with each other, but viewers will enjoy the wait. And it’s not like there aren’t other flirtations and relationships to see.

This drama is so fast-paced, it’s like watching the behind-the-scenes work of a news show. And you won’t want to stop watching.

Grade: A-

PITCH

9 p.m. Thursdays on Fox

For a show that’s not about crime, there are some high stakes.

The drama follows Ginny Baker, the first woman in the majors. As the pressure mounts, she has to decide why she’s doing this.

While you may not know Kylie Bunbury, the actress who plays Ginny, yet, many of the supporting actors are recognizable. Ali Larter, Mark Consuelos, Mark-Paul Gosselaar and more all make appearances.

In a time when gender roles are a hot topic, this show seems prepared to tackle the issue head-on.

Grade: B

MACGYVER

8 p.m. Fridays on CBS

Another reboot is on this fall, but this one is of the late 1980s TV series of the same name.

Lucas Till stars in the title role. He also narrates the show, which, along with the writing over the shots, gets heavy-headed.

It’s pretty cliche, and although the problems reflect current issues such as biological weapons, it doesn’t feel fresh at all.

Grade: C

THE EXORCIST

9 p.m. Fridays on Fox

Are demons real? Are they imagined? How do you get rid of them? Those questions are the heart of this drama, based on the novel of the same name.

If you want a scare every week, watch this show.

The plot is slightly predictable, but it’s still a creepy story about demons in a house, in dreams and in the world.

Grade: C+

SON OF ZORN

8:30 p.m. Sundays on Fox

This Fox comedy presents an interesting concept for television: real-life actors along with animation.

Zorn, a mighty leader in an animated world akin to a video game/90s TV show, goes to another world to visit his ex-wife (Cheryl Hines) and his son.

After doing his usual I’ll-stay-for-barely-a-week bit, he decides to stay to get to know his son. For an animated show, it seems to have some heart.

That’s not to say it’s not also a bit silly…I mean, Zorn never goes anywhere without his sword…but the first episode shows promise.

Grade: B

What new shows are you watching?